Julie Burchill
Julie Burchill
Julie Burchillis an English writer. Beginning as a journalist on the staff of the New Musical Express at the age of 17, she has subsequently contributed to newspapers such as The Sunday Times and The Guardian. Describing herself as a "militant feminist", she has several times been involved in legal action resulting from her work. Burchill is also an author and novelist: her 1989 novel Ambition became a best-seller, and her 2004 novel Sugar Rush was adapted for television...
NationalityBritish
ProfessionNovelist
Date of Birth3 July 1959
When I moved out of London 13 years ago, I found a whole other reason not to drive. This was because my new husband Dan, unlike my dad, did drive, and this became a great source of fun and adventure.
Make no mistake, most women are well aware that they've never had it so good; when they enter a spa or salon, it is purely a hair/nails thing, a prelude to an evening of guilt-free fun.
A good part - and definitely the most fun part - of being a feminist is about frightening men.
A wedding is a funeral which masquerades as a feast. And the greater the pageantry, the deeper the savagery.
It has been said that a pretty face is a passport. But it's not, it's a visa, and it runs out fast.
There are exciting, intelligent, fat people - and exciting, intelligent, thin people.
People often yearn back to more innocent times, but more and more, as I get older, I find myself hankering after more jaded days.
No matter how old and glorious the models, sad indeed is the woman who sees fashion as a means of self-expression rather than an agent of social control.
Shame, like beauty, is often in the eye of the beholder.
When I started at the 'Guardian,' though, I couldn't think of anything we saw eye to eye on, except feminism, and even this would soon be arguable as 'Guardian' writers queued up to drool over Eminem.
As I have got older, I have found myself making friends with the ease and swiftness that other people pick up fuzzballs on their jumpers. And I believe it is probably my lack of longing for 'The One' that makes me so popular.
What Mrs. Thatcher did for women was to demonstrate that if a woman had enough desire she could do what she wanted, do anything a man could do. . . . Mrs. Thatcher did not have one traditional feminine cell in her body.
We are used to female writers who use their private lives as unmitigated material being somewhat hormonal; this somehow 'excuses' what might be seen as a highly unfeminine ability to turn their personal upsets into money.
A therapist might suggest my generosity is a way of buying affection. But buying people's love has never been an issue for me. Generally speaking, I don't want their love.