JR
JR
NationalityFrench
ProfessionArtist
Date of Birth22 February 1983
CountryFrance
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For me, the gallery legitimates the art production and helps build collections. I don't think an artist should do everything by himself forever. I did it for years and then slowly built my circle of trust.
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I was pretty optimistic last year going into the season. The only thing different this year is I have my cousin working with me again. So, there is that comfort aspect and familiarity. It is easier to know what to expect this year, whereas last year, we were optimistic but uncertain about how well we were going to do. He (Tony) is really good at what he does. We are family and just communicate well, even though we don't always get that right either. For the most part, he is one of the best crew chiefs in the garage. He builds a great race car.
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Tony and I are a good combination. And we're going to try to work toward next year. These next nine races are real important and we're going to try to build on that.
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We are really focused this year and I think it's going to be a great one for us. We are really building a following for the whole Greased Lightning Racing Team and that is what it is all about.
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'Utopia' is a positive and constructive program that gives people the opportunity, if you can start all over again, start from scratch and create laws and make decisions, will you be able to build a society that is better than the one we have; will it be chaos or happiness.
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So we have broad bipartisan support for the bill, and it's my hope that we can build on some of the things that have been talked about in Washington involving building a larger ownership society.
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We're not just building a Temple here, the Lord is building us.
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Whenever you are engaged in work that serves humanity and is for the building of humanity, it has dignity and it has worth,
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With 'Inside Out,' no matter how good the photo or how big the pasting, people will like it or they won't. But what you see through any of these actions is that there's going to be discussion and it's going to bring people together.
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Most of the time, people look at a piece of art online when it is just a few blocks from their house. Changing the way you walk home everyday fills life with surprises.
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Even when I do really big pieces, I do them strips by strips - so you have to paste, you have to involve people. It's a whole process. And I like that. For me, that's where the artwork is.
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A really important point for me is that I don't use any brand or corporate sponsors. So I have no responsibility to anyone but myself and the subjects.
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I've always been so surprised by how people interpret my photos in context.
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The Internet doesn't always play a great role for art, especially art in the street, as people take what they see for the final image of it. But the most interesting thing about street art is to see it for real, to understand what it means and where it's displayed.