Jonathan Franzen
Jonathan Franzen
Jonathan Earl Franzenis an American novelist and essayist. His 2001 novel The Corrections, a sprawling, satirical family drama, drew widespread critical acclaim, earned Franzen a National Book Award, was a Pulitzer Prize for Fiction finalist, earned a James Tait Black Memorial Prize and was shortlisted for the International IMPAC Dublin Literary Award. His novel Freedomgarnered similar praise and led to an appearance on the cover of Time magazine alongside the headline "Great American Novelist"...
NationalityAmerican
ProfessionNovelist
Date of Birth17 August 1959
CountryUnited States of America
If you look at the New Testament, it's a gospel of love. Yes, there's talk of judgement and there's talk of heaven and there's talk of people not getting into heaven, but it doesn't seem to me that the fundamental message of the gospels was one of guilt and retribution so much as love.
I'd be surprised if non-fiction writers hate to be interviewed. We all hate them, because there's really nothing to say except "Read the book." Right? At least with non-fiction, you can kind of convey some information, and people can decide for themselves whether they want more of that kind of information. But with a novel, what am I going to do?
It was a way of recognizing places of enchantment: people falling asleep like this.
Deploring other people--their lack of perfection--had always been our sport.
Walter had never liked cats. They'd seemed to him the sociopaths of the pet world, a species domesticated as an evil necessary for the control of rodents and subsequently fetishized the way unhappy countries fetishize their militaries, saluting the uniforms of killers as cat owners stroke their animals' lovely fur and forgive their claws and fangs. He'd never seen anything in a cat's face but simpering incuriosity and self-interest; you only had to tease one with a mouse-toy to see where it's true heart lay...cats were all about using people
It seems to me self-evident that if you have a life, things happen in it, and certain things do change; certain things end. People you know die.
If you're interested in how people behave, if you're interested in the way they talk about themselves, the way the conceive of themselves, it's very hard to ignore drugs nowadays, because that is so much part of the conversation.
When I finally gave up any hope of doing anything representative of the American family, I actually seemed to have tapped into other people's weirdness in that way.
Since our technology is really just an extension of ourselves, we don’t have to have contempt for its manipulability in the way we might with actual people. It’s all one big endless loop. We like the mirror and the mirror likes us. To friend a person is merely to include the person in our private hall of flattering mirrors.
Good novels are produced by people who voluntarily isolate themselves and go deep, and report from the depths on what they find.
's one of the perversities of the age: I'm embarrassed by its success, but I'm happy it's selling.
I was unwise enough to actually mention this in public a few times, and in fact to point out that there were two versions of the book now. One of them had somebody else's name on the cover, one had my name on the cover.
The real pleasure in writing this, for me, was discovering how little you need.
There is, after all, a kind of happiness in unhappiness, if it's the right unhappiness.