John Sayles

John Sayles
John Thomas Saylesis an American independent film director, screenwriter, editor, actor and novelist. He has twice been nominated for the Academy Award for Best Original Screenplay for Passion Fishand Lone Star. His film Men with Gunshas been nominated for the Golden Globe for Best Foreign Language Film. His directorial debut, Return of the Secaucus 7, has been added to the National Film Registry...
NationalityAmerican
ProfessionDirector
Date of Birth28 September 1950
CountryUnited States of America
I was trying to think of a title for it, which is a hard thing. Limbo is basically a metaphor, anyway ... it's this place where you're neither here nor there ... and so many people live that kind of life.
Fahrenheit 9/11 took public domain information that should have been on the news every night and put it in a film that a lot of people went to see. But still Bush has never had to answer those charges.
Sometimes people can't afford to work for you, or they're not interested or available, and you hate to have written the whole movie with somebody in mind and not get them.
There was a widespread indignation in the American media. They were saying, How can you make a movie during an election that's about politics? What are you doing? Are you trying to influence people's lives? To which my response was, Well, I hope so.
As a screenwriter I'm often writing in genres where there have been thousands of movies; whereas when I direct movies they tend to be in between genres. They tend to have a little bit of a genre to them, but they're really about the people, and they're people we haven't met before.
Fahrenheit 9/11 took public domain information that should have been on the news every night and put it in a film that a lot of people went to see. But still Bush has never had to answer those charges.
I certainly grew up seeing more movies and television than I read books, but when it came time to do the thing itself you don't have to hire a lot of people to sit down and write a book, so that was the story-telling medium that was available to me.
There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.
There are genres I don't care for, and I've never worked in those genres, and then sometimes there are people that I haven't liked and I haven't worked for those people. But if I feel like there's a movie that I would like to go see, I'll jump into it.
In a movie you have all these logistical problems; all these practical problems. But you're also going to have people come who can do things that you can't do, and you get to direct their talents.
We just said, 'Okay, you're in the movie. Bring what you would bring for a three-day weekend and I hope you like the way you look in it because once you're on camera, that's your wardrobe.' But it worked; it worked and we were very surprised.
You get to say, 'Here's my philosophical idea about what the costume should like,' and the costume designer comes and gives you choices and sometimes they're all good, and I say, 'What do you think?' and they pick the right thing.
I was surprised that it still existed, ... that it hadn't, in fact ... been swallowed up by developers. And I went down, and there it still was, with two condo outfits on either side of this beautiful stretch of beach, but it was like they were moving one foot forward every day, and they were about to get it.
With Roger, it would be: 'On Page 67, we think this is a little quick to have another attack of Piranhas, so could you put it off until Page 69?'