John Ruskin
John Ruskin
John Ruskinwas the leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. His writing styles and literary forms were equally varied. Ruskin penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. The elaborate style that characterised his earliest writing on art was later superseded...
NationalityEnglish
ProfessionWriter
Date of Birth8 February 1819
All that is good in art is the expression of one soul talking to another, and is precious according to the greatness of the soul that utters it.
Great art is precisely that which never was, nor will be taught, it is preeminently and finally the expression of the spirits of great men.
Mountains are to the rest of the body of the earth, what violent muscular action is to the body of man. The muscles and tendons of its anatomy are, in the mountain, brought out with force and convulsive energy, full of expression, passion, and strength.
You cannot have good architecture merely by asking people's advice on occasion. All good architecture is the expression of national life and character; and it is produced by a prevalent and eager national taste, or desire for beauty.
Greatness is not a teachable nor gainable thing, but the expression of the mind of a God-made great man.
The eye is continually influenced by what it cannot detect; nay, it is not going too far, to say that it is most influenced by what it detects least. Let the painter define, if he can, the variations of lines on which depend the change of expression in the human countenance.
Expression, sentiment, truth to nature, are essential: but all those are not enough. I never care to look at a picture again, if it be ill composed; and if well composed I can hardly leave off looking at it.
Repose demands for its expression the implied capability of its opposite,--energy.
The highest thoughts are those which are least dependent on language, and the dignity of any composition and praise to which it is entitled are in exact proportion to its dependency of language or expression.
The true grotesque being the expression of the repose or play of a serious mind, there is a false grotesque opposed to it, which is the result of the full exertion of a frivolous one.
As unity demanded for its expression what at first might have seemed its opposite--variety; so repose demands for its expression the implied capability of its opposite--energy. It is the most unfailing test of beauty; nothing can be ignoble that possesses it, nothing right that has it not.
No human face is exactly the same in its lines on each side, no leaf perfect in its lobes, no branch in its symmetry. All admit irregularity as they imply change; and to banish imperfection is to destroy expression, to check exertion, to paralyze vitality. All things are literally better, lovelier, and more beloved for the imperfections which have been divinely appointed, that the law of human life may be Effort, and the law of human judgment, Mercy.
To banish imperfection is to destroy expression, to check exertion, to paralyze vitality.
The purest and most thoughtful minds are those which love color the most.