John Ruskin
John Ruskin
John Ruskinwas the leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. His writing styles and literary forms were equally varied. Ruskin penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. The elaborate style that characterised his earliest writing on art was later superseded...
NationalityEnglish
ProfessionWriter
Date of Birth8 February 1819
Much of the character of everyman may be read in his house.
The distinctive character of a child is to always live in the tangible present.
We are only advancing in life, whose hearts are getting softer, our blood warmer, our brains quicker, and our spirits entering into living peace.
You cannot have good architecture merely by asking people's advice on occasion. All good architecture is the expression of national life and character; and it is produced by a prevalent and eager national taste, or desire for beauty.
A man is known to his dog by the smell, to his tailor by the coat, to his friend by the smile; each of these know him, but how little or how much depends on the dignity of the intelligence. That which is truly and indeed characteristic of the man is known only to God.
There is a certain period of the soul-culture when it begins to interfere with some of characters of typical beauty belonging to the bodily frame, the stirring of the intellect wearing down the flesh, and the moral enthusiasm burning its way out to heaven, through the emaciation of the earthen vessel; and there is, in this indication of subduing the mortal by the immortal part, an ideal glory of perhaps a purer and higher range than that of the more perfect material form. We conceive, I think, more nobly of the weak presence of Paul than of, the fair and ruddy countenance of David.
Architecture concerns itself only with those characters of an edifice which are above and beyond its common use.
Variety is a positive requisite even in the character of our food.
I would have, then, our ordinary dwelling-houses built to last, and built to be lovely; as rich and full of pleasantness as may be within and without: . . . with such differences as might suit and express each man's character and occupation, and partly his history.
It was stated, . . . that the value of architecture depended on two distinct characters:--the one, the impression it receives from human power; the other, the image it bears of the natural creation.
The purest and most thoughtful minds are those which love color the most.
The secret of language is the secret of sympathy and its full charm is possible only to the gentle.
Reverence is the chief joy and power of life - reverence for that which is pure and bright in youth; for what is true and tried in age; for all that is gracious among the living, great among the dead, - and marvelous in the powers that cannot die
Every great man is always being helped by everybody; for his gift is to get good out of all things and all persons.