John Malkovich
John Malkovich
John Gavin Malkovichis an American actor and director. He has appeared in more than 70 motion pictures. For his roles in Places in the Heart and In the Line of Fire, he received Academy Award nominations. He has also appeared in films such as Empire of the Sun, The Killing Fields, Con Air, Of Mice and Men, Rounders, Ripley's Game, Knockaround Guys, Being John Malkovich, Shadow of the Vampire, Burn After Reading, RED, Mulholland Falls, and Warm Bodies, as well...
NationalityAmerican
ProfessionActor
Date of Birth9 December 1953
CountryUnited States of America
I don't want a trillion-dollar empire to run.
My father was a very contradictory man.
Of course it's trivial, but then most things are.
Along with the good qualities, if someone isn't vulnerable I can't be around them to a certain extent. And I don't mean vulnerable to me or vulnerable to me in a sexual way. I just mean vulnerable, period.
I wouldn't describe myself as lacking in confidence, but I would just say that - the ghosts you chase you never catch.
Imagine how asleep or utterly unperceptive and clueless you would have to be not to see yourself as absurd for the most part.
If you don't interfere with me, I'll always do something really good.
I have probably four or five male friends who have a real strong masculine side but some degree of a feminine side, too. They're pretty rare, whereas I think women with a masculine side are much less rare.
I think 1973 was the nadir of fashion. When you watch the coverage from that era, you're struck by the astonishing ugliness of the clothes.
When you think of how history is revealed, we know certain things to be facts at certain periods of time, which turn out not to be so factual as time marches on.
Well, I design costumes because I started with the theater in Chicago, but somehow a few lines just sort of fell to me to do it. And I studied it in school and I always liked it.
I know I have a fairly strong feminine side. I find myself really distanced from male behavior.
We have a tendency to think everyone's idiotic and everyone's only doing something idiotic, and the world is controlled by a not-so-secret group of morons. There's great truth in that, I suppose, but then it's also not true.
The most evocative thing to me is probably when a writer and a group of performers can collectively put together something compelling that asks the really simple question: 'How do we live?'