John Landis

John Landis
John David Landisis an American film director, screenwriter, actor, and producer. He is known for his comedy films, his horror films, and his music videos with Michael Jackson. He directed National Lampoon's Animal House, An American Werewolf in London, Trading Places, Michael Jackson's music video Thriller, The Blues Brothers, and Beverly Hills Cop III...
NationalityAmerican
ProfessionActor
Date of Birth3 August 1950
CountryUnited States of America
real driving computer
Quite honestly, ... there`s never been stunt driving before or after as spectacular or elaborate. That`s all real, no (computer trickery).
song mean artist
It's not that I don't want to, it's just that there's no money in it. By that I mean the way the video business works now, the artist and the record label send out a song to a bunch of different directors and say, 'What would you do with this?' Then everyone has to come up with an idea and bid on it. For me, it's like, 'Hey, you want me to do it? Then pay me. I'm not auditioning for you.'
nice kids color
Well, the bottom line is that I'm extremely pleased with 'The Stupids.' I'm pleased that it's coming out, and it should look good. It's nice looking, with the colors and stuff. I made it for kids, and I really would like them to see it.
stars appreciate actors
I am very direct and I tend to treat everyone exactly the same, which sometimes gets me in trouble because some movie stars feel like they should be treated differently. But, when you're dealing with good actors, they really appreciate it.
leadership always-loved-you
I have always loved you.
sexy thinking people
The field (of filmmaking) is suddenly sexy, ... so it's deluged with these wannabes who say 'I don't want to be a secret agent, I'll be a filmmaker.' I think a lot of people are really kind of naive.
guy world jake
I've been all over the world, and to be in Milan and see guys dressed as Jake and Elwood is amazing. They really have become a part of the culture.
actors directors different
Truthfully, most directors don't direct actors. Every actor is different, so when you're asked, "How do you approach an actor?," it depends on the actor. With some, you do nothing. With some, you're very specific.
brother real numbers
After 'The Blues Brothers,' I wanted to do a good musical number with real dancers and shoot it correctly.
tv-shows actors tvs
Directors, like actors, get typecast. And because I've had great success with comedy and horror and TV shows, that's basically what I'm kind of offered.
people scary fans
The pedigree's pretty high. For people who are really scary movie fans, this is nirvana. If you're in the mood to get scared, just watch this every week. It'll creep you out.
video demand different
I'm very lucky to have worked in the '70s. It's a different industry and distribution is in a state of flux. It's all different platforms, they're doing this video-on-demand thing and also playing the film theatrically. It's funny to me: In the States it's an arthouse movie.
careers critics
In my career, my movies tend to polarize critics.
differences interesting boards
But what's interesting is now - and not only in horror, but across the board - the studios basically only make B pictures with A budgets. That's the biggest difference.