John Banville
John Banville
William John Banville, who writes as John Banville and sometimes as Benjamin Black, is an Irish novelist, adapter of dramas, and screenwriter. Recognised for his precise, cold, forensic prose style, Nabokovian inventiveness, and for the dark humour of his generally arch narrators, Banville is considered to be "one of the most imaginative literary novelists writing in the English language today." He has been described as "the heir to Proust, via Nabokov."...
NationalityIrish
ProfessionNovelist
Date of Birth8 December 1945
CountryIreland
I sometimes think that I might be slightly autistic. There might be a syndrome that hasn't been named. I don't seem to see the world in the same way that most people I know see it. They don't seem to be baffled by it.
I wonder about the wisdom of doing the review. Sometimes I wish I hadn't. Some people saw it as one novelist giving a kicking to another and that's not what I intended.
The 9/11 attack was a huge and terrible thing but it was not unique. I come from a country where, if you put it in scale, some say 350,000 people would have died from the violence.
I want my art to make people look at the world in a new way. I mean, what's the point of the art of writing if it doesn't take you into the mysterious?
Office life is very, very strange. It's like no other way of living. You have an intimacy with people who you work with in the office, yet if you meet them on the streets, you both look the other way because you're embarrassed.
My work is frequently described as cold, which is baffling, since it seems to me embarrassingly, shame-makingly, scandalously warm. I find my work filled with sentiment, and I can't imagine why people find it cold.
All I wanted was to be left alone. They abhor a vacuum, other people. You find a quiet corner where you can hunker down in peace, and the next minute there they are, crowding around you in their party hats, tooting their paper whistles in your face and insisting you get up and join in the knees-up.
All a work of art can do is present the surface. I can't know the insides of people. I know very little about the inside of myself.
I don't make a distinction between men and women. To me they are just people.
It's great people still care about books, and it's great you can still fashion a life from literature.
When I started writing, I was a great rationalist and believed I was absolutely in control. But the older one gets, the more confused, and for an artist I think that is quite a good thing: you allow in more of your instinctual self; your dreams, fantasies and memories. It's richer, in a way.
I've been wrestling with Kafka since I was an adolescent. I think he's a great aphorist, a great letter writer, a great diarist, a great short story writer, and a great novelist - I'd put novelist last.
I thought it was remarkable on his part to be so generous.
You know, artists don't really have all that much experience of life. We make a huge amount out of the small experience that we do have.