John Abercrombie
John Abercrombie
John Laird Abercrombie is an American jazz guitarist, composer and bandleader. His work often explores jazz fusion, post bop, free jazz and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He recorded his debut album, Timeless with Manfred Eicher's ECM label, and has recorded principally with this label since. Abercrombie has played with Billy Cobham, Ralph Towner, Jack DeJohnette, Michael Brecker and Randy Brecker, to name a few. He is known for his spare, understated, and...
NationalityAmerican
ProfessionMusician
Date of Birth16 December 1944
CountryUnited States of America
One thing we're lacking when we get close to the end zone is toughness. We were in a position to get back into the game in the third quarter and we turned the ball over. But I give Hillcrest a lot of credit they're a good team and have a lot of good players.
I don't remember what was going through my mind, but what was going through my body was fear and terror. I had been on the road with Johnny and working gigs and playing a lot of the organ clubs.
On record dates like that I never felt too nervous because everything was really overdubbed. When we did that album, we were in the studio for probably a week, so you had a lot of opportunity to fix things.
I felt like there's a lot of kids that could have played quarterback. We picked (Doolittle) because he's a big kid, got a great arm and he runs the offense that we're going to be using.
They're young, and I'm getting older every game.
You're just sort of searching for this 'thing' and sometimes you get it and sometimes you don't. All music is imperfect, but in jazz since you're improvising, at least the way I play, I'm trying to follow my train of thought in a solo.
This kid can do both well. We really saved us a pick by taking him because he can do both.
Classical musicians do this all the time. They want perfection. So they piece things together. Eight bars of this and six bars of that. Glenn Gould said that with a recording he wanted to make perfect versions of pieces.
The sound and proper exercise of the imagination may be made to contribute to the cultivation of all that is virtuous and estimable in the human character.
Schlepping all of the equipment is the part I hate more than anything.
If you listen to a lot of music, it gradually seeps into your consciousness or your unconsciousness and comes out in your music.
Every time I listen back to solos of mine I'll hear something I like and then another phrase that I can't stand. You have to live with what you play. And the recording medium puts that on us. When I play live gigs I don't think so much like that.
To be creative and spontaneous, you have to live with imperfection.
As Eric Dolphy said 'Once you play the music, it's in the air. It's gone'. And that's true. But when you record it, it comes back to haunt you sometimes.