Joel Kinnaman
Joel Kinnaman
Charles Joel Nordström Kinnaman, known professionally as Joel Kinnaman, is a Swedish-American actor. He is best known for playing the lead role in the Swedish film Easy Money, a role that earned him a Guldbagge Award in the "Best Actor" category, and also for his roles as Frank Wagner in the Johan Falk film series and Governor Will Conway in the U.S. version of House of Cards. He starred on AMC's The Killing as detective Stephen Holder and played Alex...
NationalitySwedish
ProfessionActor
Date of Birth25 November 1979
CountrySweden
In the first test screening of 'RoboCop,' it tested very high. Then they asked the people why they liked it, and the first answer was, 'I liked it because it was political.' And the second answer was because, 'It feels like it deals with current affairs.' And the third answer was, 'Because it feels emotional.'
I don't reflect on sort of the age of the roles that I get. It's usually just what plays into what's believable - 'Am I believable at this age?'
I don't think being a star has ever been part of the plan. But I always want to do really good work, even when I made career moves with projects that made more sense in sort of a career way than in an artistic way... like I did with 'The Darkest Hour.'
In Sweden, there's a lot of talk of gender equality. That discussion isn't as prevalent in the U.S. I feel that successful American women are tougher than Swedish women - they create their space.
I'm a physical actor in that I start with a physical sketch of the character. I find it easier to find inspiration from the outside in. If I find the character's tensions and the way he carries himself or looks, that's going to affect how I talk. So that's how I start to create that person.
I think that in Sweden and a lot of European countries, there's this whole mythology of the wounded artist: that you can't really do any great art unless you're suffering.
'The Killing' has a really great combination of qualities: Even though it's very sad and deals with mourning and grief, it's still exciting. It's about real people and it doesn't shy from the painful points of life.
I'm not a method actor per se, but if I'm playing a character that, at its core of its persona, has experiences I don't have, I try to search out and get firsthand experiences of similar sorts so I have something to fantasize about.
Danish is a different language, even though Danish people understand Swedes, and very few Swedes understand Danish.
Have you seen these Japanese hospital droids, or humanoids, or whatever they call it? They've perfected the skin, and the skin looks so real. They have these motors between the eyes for when they smile. It's just mind-blowing.
We don't know why we are here and the context of our role in the universe, and the thought of an infinite universe. It's something the human mind can't really grasp. It's statistically impossible that there's not life on other planets.
It's hard to act with just your jaw.
In philosophy, they talk a lot about humans being actual organic machines, and the idea of free will is something that we've made up. We actually don't have free will. We're acting according to our programming as organic mechanisms.
My father is American and deserted the Vietnam War.