Joe Carnahan
Joe Carnahan
Joseph Aaron "Joe" Carnahanis an American independent film director, screenwriter, producer and actor best known for his films Blood, Guts, Bullets and Octane, Narc, Smokin' Aces, The A-Team, and The Grey. He also writes and directed some episodes for the NBC television series The Blacklist. He is the brother of screenwriter Matthew Michael Carnahan and producer Leah Carnahan...
NationalityAmerican
ProfessionDirector
Date of Birth9 May 1969
CountryUnited States of America
bent particular religious spiritual terms
I don't know if I'm the most religious guy, but I think I'm a spiritual man, and these are the things I think about a lot. In terms of the film, I think 'The Grey' is very much a non-denominational kind of film. I don't think it's something that relies on a particular religious bent to tell the story.
bones coen movies
To me, the bones of 'Smokin' Aces' is in the Coen brothers. 'Barton Fink' and 'Raising Arizona.' Those two movies, if you look at them, that's where a lot of that comes from.
great hitchcock
To me, still my favorite 3D film is 'Dial M for Murder.' I thought that was great. Hitchcock used it, could put you in the room, which I thought was fantastic, but I'm still not a devotee of 3D.
With 'The A-Team,' it was like, 'Alright, I'm going to do a big popcorn movie and see how that feels.'
answers audience creating depriving intrigue mystery taught virtue
If 'The Blacklist' taught me anything, it was kind of open-ended intrigue and leaving questions unanswered. Creating this kind of mystery by virtue of depriving the audience of these easy answers was what I was kind of into.
almost became carry great love
I always thought that as much as I love 'White Jazz,' it became almost unfilmable at some point, because there are so many strands, so much, and it became so psychotic... that's what made it such a great book, but those things would not carry over into the filmic realm, I thought, with ease.
great hopefully individual next personal special summit
I always look for... hopefully look for a challenge. And you're always looking for the next summit to hit. Even if it's a personal one. It needn't be some great sense of monumental... It just has to be important to you and big enough and special enough and individual enough that you get up for it. And that can be anything.
ability bring filmmaker inhibit personal
I think as a filmmaker and as a director, you shortchange yourself if you inhibit the ability of your actor to bring their own personal experiences to the characters.
best love
'Killing Pablo' to me - as much as I love 'The Grey''s script - 'Killing Pablo' to me is the best thing I've ever written.
feature gonna particular regardless
Regardless of the medium, be it television or feature or documentary, I'm not gonna distinguish and worry about my particular canon, whatever that means.
gonna remake
If I was ever gonna remake a Peckinpah film, it would be 'Bring Me The Head of Alfredo Garcia.' That's my favorite Peckinpah film.
I wish I'd made 'Warrior,' and I wish I'd made 'Drive.'
fan four gigantic huge intrigued notion special spin
I was not a gigantic fan of 'The A-Team' as a kid. I was a huge 'Miami Vice' fan. So for me, not necessarily to say that I put a 'Miami Vice'ish spin on 'The A-Team,' but for me, what I was most intrigued by was this notion of these four guys, these four kind of special operators.
bone compared goes skill structure versus
'The A-Team' compared to making 'Narc' was a breeze. There's a whole other skill set and whole other kind of bone structure that goes into making a movie like 'Narc' versus 'The A-Team.'