Jhumpa Lahiri

Jhumpa Lahiri
Nilanjana Sudeshna "Jhumpa" Lahiriis an Indian American author. Lahiri's debut short story collection Interpreter of Maladieswon the 2000 Pulitzer Prize for Fiction, and her first novel, The Namesake, was adapted into the popular film of the same name. She was born Nilanjana Sudeshna but goes by her nicknameJhumpa. Lahiri is a member of the President's Committee on the Arts and Humanities, appointed by U.S. President Barack Obama. Her book The Lowland, published in 2013, was a nominee for the Man...
NationalityAmerican
ProfessionNovelist
Date of Birth11 July 1967
CountryUnited States of America
The urge to convert experience into a group of words that are in a grammatical relation to one another is the most basic, ongoing impulse of my life.
Most people trusted in the future, assuming that their preferred version of it would unfold. Blindly planning for it, envisioning things that weren't the case. This was the working of the will. This was what gave the world purpose and direction. Not what was there but what was not.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
She learned that an act intended to express love could have nothing to do with it. That her heart and her body were different things.
Being a writer means taking the leap from listening to saying 'Listen to me'.
In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil.
I would not send a first story anywhere. I would give myself time to write a number of stories.
Writing is one of the most assertive things a person can do.
I've never had Internet access. Actually, I have looked at things on other people's computers as a bystander. A few times in my life I've opened email accounts, twice actually, but it's something I don't want in my life right now.
The first sentence of a book is a handshake, perhaps an embrace.
And yet he had loved her. A Bookish girl heedless of her beauty, unconscious of her effect. She'd been prepared to live her life alone but from the moment he'd known her he'd needed her.
The sky was different, without color, taut and unforgiving. But the water was the most unforgiving thing, nearly black at times, cold enough, I knew, to kill me, violent enough to break me apart. The waves were immense, battering rocky beaches without sand. The farther I went, the more desolate it became, more than any place I'd been, but for this very reason the landscape drew me, claimed me as nothing had in a long time.
They were things for which it was impossible to prepare but which one spent a lifetime looking back at, trying to accept, interpret, comprehend. Things that should never have happened, that seemed out of place and wrong, these were what prevailed, what endured, in the end.
Isolation offered its own form of companionship: the reliable silence of her rooms, the steadfast tranquility of the evenings. The promise that she would find things where she put them, that there would be no interruption, no surprise. It greeted her at the end of each day and lay still with her at night.