Jean Cocteau
Jean Cocteau
Jean Maurice Eugène Clément Cocteauwas a French writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles, and the films Blood of a Poet, Les Parents Terribles, Beauty and the Beastand Orpheus. His circle of associates, friends and lovers included Kenneth Anger, Pablo Picasso, Jean Hugo, Jean Marais, Henri Bernstein, Yul Brynner, Marlene Dietrich, Coco Chanel, Erik Satie, Albert Gleizes, Igor Stravinsky, Marie Laurencin, María Félix, Édith Piaf, Panama Al Brown, Colette, Jean Genet,...
NationalityFrench
ProfessionNovelist
Date of Birth5 July 1889
CityMaisons-Laffitte, France
CountryFrance
A little too much is just enough for me.
The world owes its enchantment to these curious creatures and their fancies; but its multiple complicity rejects them. Thistledown spirits, tragic, heartrending in their evanescence, they must go blowing headlong to perdition.
Without opium, plans, marriages and journeys appear to me just as foolish as if someone falling out of a window were to hope to make friends with the occupants of the room before which he passes.
In two weeks, despite these notes, I shall no longer believe in what I am experiencing now. One must leave behind a trace of this journey which memory forgets. One must, when this is impossible, write or draw without responding to the romantic solicitations of pain, without enjoying suffering like music, tieing a pen to one's foot if need be, helping the doctors who can learn nothing from laziness.
Lack of manners is the sign of a hero.
Commissions suit me. They set limits. Jean Marais dared me to write play in which he would not speak in the first act, would weep for joy in the second and in the last would fall backward down a flight of stairs.
The instinct of nearly all societies is to lock up anybody who is truly free. First, society begins by trying to beat you up. If this fails, they try to poison you. If this fails too, the finish by loading honors on your head.
There are too many souls of wood not to love those wooden characters who do indeed have a soul.
Silence moves faster when it's going backward.
If a hermit lives in a state of ecstasy, his lack of comfort becomes the height of comfort. He must relinquish it.
The actual tragedies of life bear no relation to one's preconceived ideas. In the event, one is always bewildered by their simplicity, their grandeur of design, and by that element of the bizarre which seems inherent in them.
One of the characteristics of the dream is that nothing surprises us in it. With no regret, we agree to live in it with strangers, completely cut off from our habits and friends.
The poet never asks for admiration; he wants to be believed.
The Louvre is a morgue; you go there to identify your friends.