Jason Bateman
Jason Bateman
Jason Kent Batemanis an American actor, director, and producer who rose to prominence as a high-profile adolescent actor in the 1980s, in sitcoms such as Silver Spoons and The Hogan Family, before returning in the early 2000s in the role of Michael Bluth on the critically acclaimed sitcom Arrested Development, for which he won a TV Land Award, a Golden Globe, and a Satellite Award. He has since established himself in Hollywood by appearing in several films, including Juno, Hancock,...
NationalityAmerican
ProfessionTV Actor
Date of Birth14 January 1969
CityTown Of Rye, NY
CountryUnited States of America
Our job, as actors, is to just try to be as accurate and as mindful of what the audience is going through and receiving and processing. If it's a situation where the character should look a little bit out of control or do something stupid, it's your job to act into that, in a believable way.
I remember my dad working with me on breaking down my script and writing out a back story for my character and all that stuff.
All in the Family.' I loved watching Carroll O'Connor play this despicable character and make him so hysterically flawed and charmingly vulnerable to where he could get away with saying so many off-color things and yet it endeared him to you.
Obviously, I did a couple of things right on the old casting couch.
Only one in every four people under 35 voted in the last election and Gore still won. So if we get more young people to vote, we can get the landslide we deserve and we could really reap the benefits of what John Kerry stands for.
It was a great run and it's great that the network didn't cancel us outright, and they're letting us do five more where we can wrap up a lot of story arcs.
Everyone is pretty upbeat about it, actually, ... The last thing we wanted to happen was to overstay our welcome and tarnish the experience and prestige of the show.
I like being hired to do more and more stuff. Carry more and more responsibility. It's nice I'm getting that trust.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
The longer you stay in the job that you do the more you learn about what those around you do. As an actor I've always nosed around apologetically about: "oh wouldn't it be interesting if I could do that?" I can't imagine not wanting to do this everyday.
I don't get a chance to cry that often on film, so I was hoping that talent would come my way, that day. I cheated, I guess, when I just started looking at my technology device - my iPhone - to look at pictures of my kids, before I did the scene where I had to cry. That was a good trick that I found.
I don't really find a problem with technology or television, or anything. I'm a product of it. I grew up watching TV, and I don't think I'm too dumb or too crazy.
I can be on a telephone call, and be emailing or texting somebody else, as well. I would imagine everyone appreciates that efficiency of communication. I see it as a huge positive.
Improvisation, for me, is when the cameras start rolling, we don't know where we're going and let's just waste people's time and money.