Janet Fitch
Janet Fitch
Janet Fitch is most famously known as the author of the Oprah's Book Club novel White Oleander, which became a film in 2002. She is a graduate of Reed College, located in Portland, Oregon...
NationalityAmerican
ProfessionAuthor
Date of Birth9 November 1955
CountryUnited States of America
block different-universes house
We don't have a unitary society anymore, you know; it's very fragmented. I look up and down my block in Silverlake and there is a different universe in every house.
home thinking play
To make films, you have to have boundless energy; you have to work and play with others really, really well, and I'm really a more contemplative kind of person. I like to sit at home and think, a lot.
father book two
My father was an engineer - he wasn't literary, not a writer or a journalist, but he was one of the world's great readers. Every two weeks, he'd take me to our local branch library and pull books off the shelf for me, stacking them up in my arms - 'Have you read this? And this? And this?
sacrifice men way
Many women get involved with a man that you pretty much know isn't suitable and you're kind of breaking your rules, but he's attractive in some unknown way. And then he doesn't even realize what a sacrifice you're making by being with him and he dumps you!
attention easy
How easy I was. Like a limpet I attached myself to anything, anyone who showed me the least attention.
rocks blue sea
Her fingers moved among barnacles and mussels, blue-black, sharp-edged. Neon red starfish were limp Dalis on the rocks, surrounded by bouquets of stinging anemones and purple bursts of spiny sea urchins.
night magic way
Dawn has a way of casting a pall on any night magic.
sensual balance oleanders
We strive for beauty and balance, the sensual over the sentimental.
falling-in-love love-you natural
This is what happens when you fall in love. You're looking at a natural disaster.
moving thinking stories
A dependent clause (a sentence fragment set off by commas, dontcha know) helps you explore your story by moving you deeper into the sentence. It allows you to stop and think harder about what you've already written. Often the story you're looking for is inside the sentence. The dependent clause helps you uncover it.
character emotional looks
Always tell us where we are. And don't just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they're great at this.
running writing people
Most people use twenty verbs to describe everything from a run in their stocking to the explosion of an atomic bomb. You know the ones: Was, did, had, made, went, looked... One-size-fits-all looks like crap on anyone. Sew yourself a custom made suit. Pick a better verb. Challenge all those verbs to really lift some weight for you.
writing home exercise
Being in the library is so addictive for me that I really have to exercise self-control so I can get some writing done at home.
dark voice people
This involves more than I can discuss here, but do it. Read the writers of great prose dialogue-people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.