Jane Smiley

Jane Smiley
Jane Smileyis an American novelist. She won the Pulitzer Prize for Fiction in 1992 for her novel A Thousand Acres...
NationalityAmerican
ProfessionNovelist
Date of Birth26 September 1949
CityLos Angeles, CA
CountryUnited States of America
artist contrary
In every society, the artists will be the ones who set themselves up as contrary to whatever the society expects.
art honesty home
When 'The Awakening' was published it was considered so scandalous it was banned in the author's home-town library, and she herself was barred from the Fine Arts Club in the same city. What the novel has to offer, among other things, is honesty.
character views survival
My characters never die screaming in rage. They attempt to pull themselves back together and go on. And that's basically a conservative view of life.
mean years intellectual
Some novelists are luckier than others in the eras of their formative intellectual years, but all Weltanschauungs return, which means that most novelists have at least a chance of a revival.
fashion irrelevance novelists
Novelists of a conservative or more purely aesthetic bent hold up better on the surface, but their novels go in and out of fashion according to relevance or irrelevance.
creating world too-much
Americans took a great deal too much credit for creating wealth, when most of the time they had really just been living off natural bounty unprecedented in the history of the world.
philosophical interesting house
'Ape House' is an ambitious novel in several ways, for which it is to be admired, and it is certainly an easy read, but because Gruen is not quite prepared for the philosophical implications of her subject, it is not as deeply involving emotionally or as interesting thematically as it could be.
thinking critical liberal-education
Critical thinking is to a liberal education as faith is to religion. ... the converse was true also - faith is to a liberal education as critical thinking is to religion, irrelevant and even damaging.
mother horse facts
Fascination with horses predated every other single thing I knew. Before I was a mother, before I was a writer, before I knew the facts of life, before I was a schoolgirl, before I learned to read, I wanted a horse.
groups analysis helping
Every novel deals with social problems. It can't help it because the protagonist must come in conflict with his group. So the author has to offer an analysis of how the group and the protagonist fit. Otherwise, the reader will just say, "This makes no sense," and will put it away.
love marriage responsibility
You know what getting married is? It's agreeing to taking this person who right now is at the top of his form, full of hopes and ideas, feeling good, looking good, wildly interested in you because you're the same way, and sticking by him while he slowly disintegrates. And he does the same for you. You're his responsibility now and he's yours. If no one else will take care of him, you will. If everyone else rejects you, he won't. What do you think love is? Going to bed all the time?
ice-cream fuel candy
Candy is my fuel. Ice cream, too.
dark narrative firsts
Sometimes, a novel is like a train: the first chapter is a comfortable seat in an attractive carriage, and the narrative speeds up. But there are other sorts of trains, and other sorts of novels. They rush by in the dark; passengers framed in the lighted windows are smiling and enjoying themselves.
strong sex fun
I love to write about sex. You just have to make it idiosyncratic. You have to have a strong comprehension of your characters, and write it from their point of view. It's really fun. It's not erotic.