James Cromwell
James Cromwell
James Oliver Cromwellis an American actor and producer. Some of his more notable films include Babe, Star Trek: First Contact, L.A. Confidential, The Green Mile, Space Cowboys, The Sum of All Fears, I, Robot, and The Artist, as well as the television series Six Feet Under, 24, American Horror Story: Asylum, and Halt and Catch Fire...
NationalityAmerican
ProfessionMovie Actor
Date of Birth27 January 1940
CityLos Angeles, CA
CountryUnited States of America
'Jamie' is what my mother gave me, and that takes the onus off of being big. Somebody thinks, 'Oh, Jamie - how threatening can he be?'
The kids know me from 'Babe,' but usually it is 'L.A. Confidential' that people remember, which was the second film I did. I have worked with some really good people and the films that I've done for the most part have been good.
I don't know how many parts I've lost because a lot of the politics in California are very conservative, and I'm fairly outspoken. I always tried to get as much politics in as I could, because I do believe in class struggle, and I think that's what's left out.
I'm a character actor. Nobody's ever seemed to think of me as a leading man. I'm 6'6''. I've got a big nose. I'm gangly. I've got crooked teeth. That's certainly not Brad Pitt. I'm still around and alive, so if they need older guys, I guess they're thinking of me.
Every day is perfect because there's no other day! As a friend of mine said, "Ride the horse in the direction it's going." When you do that, you realize that every moment, every breath, every sound, every encounter is a gift. You bloody well better enjoy it.
Authority is the assumption that someone else knows better than you.
There are reasons to have rules and regulations. That I understand. Authority is a different thing. Authority is to maintain its own position by increasing its power and domination over those people it is supposedly protecting.
My friends joke because I will take my clothes off, at the drop of a hat.
What happens when you're naked is that people get that you're really just a human being. There are parts of it that are pretty appalling, and there are parts that are okay. That's what it looks like. If you can embrace and accept what people look like in the altogether, it's not so difficult to accept them with their clothes on.
Usually, I'm the kind of actor where you show me once or twice, I can do it. I don't do it creatively, but I know how to do the process.
I always change my words in everything I do. I make the language fit, because I know the character from the inside out. Often character actors are not in a position to do that, but I do it. I don't change any cue and I never change anybody else's lines, but I make my own words fit my mouth.
Often we're recreating what we think we're supposed to be as human beings. What we've been told we're supposed to be, instead of who we authentically are. The key about the creation of full self-expression is to be authentically who you are, to project that.
First lead [in a movie] requires a different approach like trying not to give it all away in the first scene. It is a skill, a learned skill.
You don't just one day say, 'That's it, I'm doing this, I'm going to throw all my shoes out and I'm not eating honey and I won't drive my car because there are animal bones in the tires' because you'd drive yourself around the bend.