James Cameron

James Cameron
James Francis Cameronis a Canadian filmmaker, director, producer, screenwriter, inventor, engineer, philanthropist, and deep-sea explorer. He first found major success with the science fiction action film The Terminator. He then became a popular Hollywood director and was hired to write and direct Aliens; three years later he followed up with The Abyss...
NationalityAmerican
ProfessionDirector
Date of Birth16 August 1954
CityKapuskasing, Canada
CountryUnited States of America
Storytelling is storytelling. You still play by the same narrative rules. The technology is completely different. I don't use one piece of technology that I used when I started directing.
I do not know why journalists insist on calling their stuff "pieces", when they are in fact little entities, attempting to have beginnings, middles and endings.
I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on.
I feed on other people's creativity, photographers, artists of every kind. Sometimes a feeling that you get listening to a song can be so powerful. I've wanted to write whole scripts around what I felt just listening to a piece of music. I think music is important, and surrounding your visual field with stimulating things.
People think that what I see diving must drive what I put into films, but that isn't really the case. When I am making a Hollywood production, I am telling a different kind of story. Of course, if I see something interesting that works, we will look at it, but they are different things.
Bill has come down to Hollywood to make this announcement, and that is a first,
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I don't use film cameras. I don't do visual effects the same way. We don't use miniature models; it's all CG now, creating worlds in CG. It's a completely different toolset. But the rules of storytelling are the same.
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
I felt it was kind of a snub, not of the film per se, but of all the other people who did care and had sweated blood for the movie.
We've been discussing already an 'Aliens' attraction and there's a discussion of a 'Titanic' attraction, what I call the 'Titanic' restaurant-slash-near-death experience.
It's a relatively new phenomenon... (Investors) want to invest in clean energy, but want to extract a little more value from dirty energy first. They will get there.
It was good training to think spatially and to think in terms of story boarding and so on. So I was already a filmmaker but I hadn't realized it yet.
Targets and timetables do matter. But there is a dispirited feeling that the U.S. just rejects multilateral target-setting for the time being.