James Cameron

James Cameron
James Francis Cameronis a Canadian filmmaker, director, producer, screenwriter, inventor, engineer, philanthropist, and deep-sea explorer. He first found major success with the science fiction action film The Terminator. He then became a popular Hollywood director and was hired to write and direct Aliens; three years later he followed up with The Abyss...
NationalityAmerican
ProfessionDirector
Date of Birth16 August 1954
CityKapuskasing, Canada
CountryUnited States of America
We're in a fight for survival here. Maybe we just need to fight back harder, come out blazing, not wither away and die. D-cinema can do it, for a number of reasons, but because d-cinema is an enabling technology for 3-D. Digital 3-D is a revolutionary form of showmanship that is within our grasp. It can get people off their butts and away from their portable devices and get people back in the theaters where they belong.
Storytelling is storytelling. You still play by the same narrative rules. The technology is completely different. I don't use one piece of technology that I used when I started directing.
I was always fascinated by engineering. Maybe it was an attempt maybe to get my father's respect or interest, or maybe it was just a genetic love of technology, but I was always trying to build things.
I believe 3D is inevitable because it's about aligning our entertainment systems to our sensory system. We all have two eyes; we all see the world in 3D. And it's natural for us to want our entertainment in 3D as well. It's just getting the technology - it's really more the business model than the technology piece. We've solved the technology.
People think that what I see diving must drive what I put into films, but that isn't really the case. When I am making a Hollywood production, I am telling a different kind of story. Of course, if I see something interesting that works, we will look at it, but they are different things.
Bill has come down to Hollywood to make this announcement, and that is a first,
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I don't use film cameras. I don't do visual effects the same way. We don't use miniature models; it's all CG now, creating worlds in CG. It's a completely different toolset. But the rules of storytelling are the same.
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
I felt it was kind of a snub, not of the film per se, but of all the other people who did care and had sweated blood for the movie.
We've been discussing already an 'Aliens' attraction and there's a discussion of a 'Titanic' attraction, what I call the 'Titanic' restaurant-slash-near-death experience.
It's a relatively new phenomenon... (Investors) want to invest in clean energy, but want to extract a little more value from dirty energy first. They will get there.
It was good training to think spatially and to think in terms of story boarding and so on. So I was already a filmmaker but I hadn't realized it yet.
Targets and timetables do matter. But there is a dispirited feeling that the U.S. just rejects multilateral target-setting for the time being.