Jake Gyllenhaal
Jake Gyllenhaal
Jacob Benjamin "Jake" Gyllenhaalis an American actor. A member of the Gyllenhaal family and the son of director Stephen Gyllenhaal and screenwriter Naomi Foner, Gyllenhaal began acting as a child with a screen debut in City Slickers, followed by roles in A Dangerous Womanand Homegrown. His breakthrough performance was as Homer Hickam in October Skyand he garnered an Independent Spirit Award nomination for Best Male Lead for playing the title character in the indie cult hit Donnie Darko, in which...
NationalityAmerican
ProfessionMovie Actor
Date of Birth19 December 1980
CityLos Angeles, CA
CountryUnited States of America
Ang was great ... because he would set up situations and then let me and Heath decide what to do within the space Ang created.
We are all from different cultures. Heath's [Ledger] Australian, really. I'm from here. Ang's [Lee] from China. But I think Ang gets very close in preproduction and rehearsals. And then he allows his actors - I don't think scared of actors, but I think he's scared of getting in on the scenes he's watching. The space he's watching. So he just totally disconnects from you while you're shooting.
Ang Lee just allowed me to make what we would call mistakes and had no judgment of them. He also empowered me. You know, he's like, "You're my actor. I chose you. Whatever you do is right." Right? "I made the decision, I'm complicit in choosing you. And I went through everything I could to choose you, so I feel good and whatever you're going to do I'm going to give you this space." And so it was very empowering.
When I was younger, I did work with coach. I went to this place called Actors Space in the Valley. I was pretty young, and we were doing acting and improvisation. But no, no I didn't go to RADA, I didn't do that. But I do now work with an acting coach, primarily for the initial intellectual connection to the material.
Sometimes you need an anchor, whatever it might be. You need a space to connect. So often you get into a way of doing things.
I like that when you create you really do create with a very small group of people, and in that space, before it goes out to all these people, that's what I love.
I'm like, 'What world am I living in?' Aren't movies made to have something to say? Why make a movie if you don't have something to say? What are you doing it for? Are you doing it because you want to make a lot of money?
I'm going to continue doing what I want to do. And if it means I want to go and make a big movie, if it has something to say, I will want to make it. I don't want to spend my life wasting my time. If it's a big movie, I want to do it. If it's a small movie, I want to do it.
I grew up in L.A., so the idea of same-sex relationships is hardly foreign to me. I think there comes a time when everyone asks himself about his sexuality. That doesn't mean you experiment, but you definitely think about your preferences.
I've had a lot of people say to me after the film, to my surprise, 'Thank you for making it. It's made a social impression, and that social impression to me is the aftermath of an artistic impression, and so much more important.
Ang Lee is fierce in his timidity, his humbleness and his respect for everyone around him. He's frustrating and so damn wise.
I don't think you can approach any piece of art with boundaries or rules. I think respect is a very important thing, but I also think what we discover along the way is really important.
I heard about the movie business before I even knew what it was. So I surround myself now with people who are like, 'Can we not talk about movies for an hour?'
It bothers me when people say, 'Oh, you're so down to earth - for an actor.' Even when they don't say 'for an actor,' I feel like that's the implication. Why are the standards so low for performers?