Isabella Rossellini
Isabella Rossellini
Isabella Fiorella Elettra Giovanna Rossellini is an Italian-American actress, filmmaker, author, philanthropist, and model. The daughter of Swedish actress Ingrid Bergman, Rossellini is noted for her successful tenure as a Lancôme model, and for her roles in films such as Blue Velvetand Death Becomes Her. She also received a Golden Globe Award nomination for her performance in Crime of the Century...
NationalityItalian
ProfessionMovie Actress
Date of Birth18 June 1952
CityRome, Italy
CountryItaly
I became an actress way into my 30s because I thought that I had to find my own way, and that's why I worked so much in modelling, until I realised that the differences between acting and modelling weren't that great. I always say that modelling is a little bit like being a silent actress.
disappeared or haven't been restored or rights haven't cleared.
I forgot to say, 'Mama, Ingrid Bergman,' ... The one time that I needed it, they don't get it.
When I was a teenager, I thought maybe I'll be a filmmaker, making film documentaries. My dream when I was a girl was I would be hired by 'National Geographic' or work with David Attenborough, but it didn't happen. I became a model.
When I grew up, we always had our chickens, and we ate our eggs, and we ate our chickens. The family always had a pig, and we would kill it at Christmas and eat it for three or four months afterwards.
There are consequences with age, so you have to evolve. I've loved becoming a filmmaker. But I would love to continue modeling, and there isn't really any job for me. It's being marginalized - that's the sad part.
The problem with middle age, at least when it comes to modeling, is you seldom see a model who is past 27, 28. If they use anyone older, then it becomes automatically a 'personality' story.
That is the great pleasure of working with great directors. You get to look at the world through many different prisms. I guess I love talent, whatever form it takes.
People use mobile phones in this very distracting environment where you probably don't have time to watch a 30-minute film, but you might have time to look at a film for a minute and learn something you didn't expect while you walk on the streets.
My father's films are often very slow for the modern audiences, which are used to a lot of editing. It's the audience that watches the film instead of the director dictating the reaction he wants from you.
I've always been interested in animal behavior, and I keep reading about it because it's so surprising all the time - so many things are happening around us that we neglect to look at. Part of the passion I have for biology is based on this wonderment.
I'd like this to become my principal activity: to make films about animals. Of course it's always interesting to model, but it depends who you are working with. I will continue to make acting, too, but I'm old - I'm getting tired of it.
I wanted to make a film about my dad, a sort of love letter, and explain what I understood of his cinema, which was so utopian. I also wanted to give the sense of his cinema, because they have never been very big box-office, but they were very influential.
I think I was always interested in animals. If a man likes a woman, you know, he might discuss business, but there's a part of his brain that is looking at the girl coming in and checking the girls. I do the same with animals.