Isabel Allende
Isabel Allende
Isabel Allende; born 2 August 1942) is a Chilean-American writer. Allende, whose works sometimes contain aspects of the "magic realist" tradition, is famous for novels such as The House of the Spiritsand City of the Beasts, which have been commercially successful. Allende has been called "the world's most widely read Spanish-language author". In 2004, Allende was inducted into the American Academy of Arts and Letters, and in 2010, she received Chile's National Literature Prize. President Barack Obama awarded her the...
NationalityChilean
ProfessionNovelist
Date of Birth2 August 1942
CityLima, Peru
CountryChile
In Venezuela, when I was living there, crime was growing. You couldn't feel safe anywhere. You couldn't leave your car in the street because it would be stolen. You coun't live in your house if you didn't have a high-security alarm system, because you would be burglarized seven times a week.
Fear is like a black cavern that is terrifying. Once you enter the cavern and explore it, you realize that you can get out of it, go through it and get out of it. Then there's another cavern that is just as big and terrifying, and you just go in and dwell in it and see what is the worst that can happen.
I see that in the future, things that we have lost in the past will be recovered. There's a search for those things, a search for spirituality, for nature, for the goddess religions, for family and human bonding. All that has been lost in this industrial era. People are in desperate need of those things. I don't think the world will destroy itself in a nuclear cataclysm. On the contrary, we have the capacity to save ourselves and save the planet, and we will use it.
It's good for a writer to come from journalism because it gives you the tools. A journalist knows that he or she can lose the reader in six lines, so try to keep the attention of the reader. Also, you learn to research, and to conduct an interview - to extract from the person whatever you need from that person.
When my daughter Paula died, I was in the deepest pain, and my mother said, "This kind of sorrow is like a long, narrow, dark channel. You have to walk this channel alone and be sure that there is light at the other ending. Just keep walking."
I'm surrounded by the scene of aging. I myself am in my 70s and not getting any younger. Although I'm very healthy, and I have a lot of energy, and I still feel 50, I'm over 70 and I understand that I am preparing for later.
It's such an intimate and profound relationship that it cannot be unconditional. I can only compare the intimacy of sex with the intimacy of the mother with a newborn baby. But with a newborn baby, it is unconditional.
I love my dog unconditionally, but never the man I'm sleeping with.
Before I start writing, before I have an idea of where and when the story happens, I research it thoroughly.
I was born in the middle of World War II, the middle of the Holocaust; I was born when there was no declaration of human rights, when feminism was not an issue, when children were working in factories. I mean, today's world is a better place!
For women in my lifetime things have changed quite a bit, but not enough. They have only changed for women that have education and access to health care in the Western world. But look at the rest of the world. Still in many places, women are sold into premature marriages, prostitution, forced labor; they are forced to have children that they cannot support or that they don't want. They are abused, tortured, exploited and even killed with impunity.
At my age, people prefer to stay in a relationship that is not working. I do not understand that. I think it takes a lot of courage to separate. But it takes more energy to stay in something that is not working.
What happens in the world affects me. Sometimes, that's part of the writing.
We have all the technology to record things in the streets. Now the historians cannot twist it or change it, because we have cellular phones or video cameras, and we are filming in the streets what's going on. We have the voices of everybody recorded. There's too much recording and I think that's wonderful.