Iris Apfel
Iris Apfel
Iris Apfelis an American businesswoman, interior designer, and fashion icon...
NationalityAmerican
ProfessionEntrepreneur
Date of Birth29 August 1921
CityNew York City, NY
CountryUnited States of America
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I absolutely consider fashion a form of art. Of course, there is some fashion that is not art at all - it's utilitarian, made for the purpose of covering up. And there are a lot of people out there who put a lot of effort into looking awful. But there are also people putting the same amount of energy into making bad art.
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Fashion really is women's liberation in a lot of ways. Look at how many women in this country are depressed about how they look and how they think they have to look! It's really sad. And it's not about money.
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Being an individual takes effort. Most people are pretty lazy. And that's OK! I mean, there are more important things than fashion. If it's going to stress you out to have a sense of style, don't do it. The important thing is to be comfortable so you can get on with your life.
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You can't try to be somebody you're not; that's not style. If someone says, 'Buy this - you'll be stylish,' you won't be stylish because you won't be you. You have to learn who you are first, and that's painful.
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You have to push yourself when you're older because it's very easy to fall into the trap. You start to fall apart - you just have to do your best to paste yourself together. I think doing things and being active is very important. When your mind is busy, you don't hurt so much.
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You can change the look of an outfit so easily by changing the kind of jewellery you wear. If you have a basic outfit on - a black sweater and skirt or a simple black dress - you can go from the office to a cocktail party at night just by changing your jewellery. It helps if you change your shoes as well.
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We did major work at the White House. But what people often don't understand is that when you do a historic restoration, you can't just do whatever you want. You work alongside the fine-arts commission and are obliged to create a replica of the past, as close as humanly possible. It's a historic institution, not a showhouse.
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Throughout history, clothes represented who you were; they are a great vehicle for explaining who you are. During the Ching dynasty, for example, what you wore and how it was made reflected your status in society. People could literally read your clothes like a book, just by its color and how it was embroidered.
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There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.
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The fashion industry has done itself in by neglecting the 60- to 80-year-old market. They have the time and the economic resources. They want to go shopping.
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People with a lot of money don't dress as well as people who have to make do, who have to be inventive. Those are the people who are always more interestingly dressed, I think. Everything I do, I do with gut instinct. If I think too much, it won't come out right.
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People say, 'You have inspired me, you've given me courage...' They've gone so far as to say, 'You've changed my life!' And I would come back and say to my husband, 'I can't understand it - what kind of poor little life did she have if I had to come and change it?'
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My mother was a big influence; she was exceedingly chic, completely dressed in a completely different manner than I did. I was a child of the Depression, so she taught me all about accessories, and I always tell everybody she worships at the altar of the accessory.
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My father told me once not to expect anything from anybody so I wouldn't be disappointed. If somebody was nice and did nice things for me, I should be overjoyed, but I shouldn't go through life expecting it, which is very good advice.