Ian Rankin
Ian Rankin
Ian James Rankin, OBE, DL, FRSEis a Scottish crime writer, best known for his Inspector Rebus novels...
NationalityScottish
ProfessionNovelist
Date of Birth28 April 1960
book writing asking-questions
I started writing novels while an undergraduate student, in an attempt to make sense of the city of Edinburgh, using a detective as my protagonist. Each book hopefully adds another piece to the jigsaw that is modern Scotland, asking questions about the nation's politics, economy, psyche and history ... and perhaps pointing towards its possible future.
dad reading home
I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
book adventure writing
I don't have many friends. It's not because I'm a misanthrope. It's because I'm reserved. I'm self-contained. I get all my adventures in my head when I'm writing my books.
technology opportunity thinking
I think writers have to be proactive: they've got to use new technology and social media. Yes, it's hard to get noticed by traditional publishers, but there's a great deal of opportunity out there if you've got the right story.
war allies bizarre
War created bizarre allies, while peace itself could be divisive.
laughter pockets found
It was the laughter of birthdays, of money found in an old pocket.
edinburgh welcome
It seemed to him a very Edinburgh thing. Welcoming, but not very.
children sleep cities
From this height the sleeping city seems like a child's construction, a model which has refused to be constrained by imagination. The volcanic plug might be black Plasticine, the castle balanced solidly atop it a skewed rendition of crenellated building bricks. The orange street lamps are crumpled toffee-wrappers glued to lollipop sticks.
lying book thinking
Was it all inevitable, John?" Reeve was pushing his fingers across the floor of the cell, seated on his haunches. I was lying on the mattress. Yes," I said. "I think it was. Certainly, it's written that way. The end of the book is there before the beginning's hardly started.
book awards paper
No matter how many awards you've won or how many sales you've got, come the next book it's still a blank sheet of paper and you're still panicking like hell that you've got nothing new to say.
dream giving-up book
My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer.
football cutting men
I've always written. At the age of six or seven, I would get sheets of A4 paper and fold them in half, cut the edges to make a little eight-page booklet, break it up into squares and put in little stick men with little speech bubbles, and I'd have a spy story, a space story and a football story.
book writing thinking
I'm often asked how I write books, but I don't think my approach is suitable for everyone. If I walked into a creative writing class, all I could say to them was 'I tend to make it up as I go along.' I'm not sure that's brilliant advice.
thinking past scotland
I'm interested in Scotland now and then, how it's changed. I want to get the reader to think about that by thinking about something from the past. How has society changed, how has policing changed, have we changed philosophically, psychologically, culturally, spiritually?