Ian MacKaye
Ian MacKaye
Ian Thomas Garner MacKayeis an American singer, songwriter, guitarist, musician, label owner, and producer. Active since 1979, MacKaye is best known for being the co-founder and owner of Dischord Records, a Washington, D.C.-based independent record label and the frontman of the influential hardcore punk bands Minor Threat and the post-hardcore band Fugazi, who have been on hiatus since 2003. MacKaye was also the frontman for the short lived bands The Teen Idles, Embrace and Pailhead, a collaboration with the band...
NationalityAmerican
ProfessionPunk Singer
Date of Birth16 April 1962
CountryUnited States of America
I'd much rather talk to a 30-year old that survived rough times in their lives [practicing Straight Edge] rather than someone that was harmed by a culture of violence.
I don't think it's an ethical or moral issue, or even that people are stupid, but I do feel like as a culture things are out of balance, perverted, and inverted. Things that are ridiculous are worshipped, and things that are important are ridiculed. I think that's something worth thinking about.
I'm a fifth generation Washingtonian and I was born and raised here. My kid's a sixth generation Washingtonian. Honestly I wish people didn't move because I love the people of the city.
Now anyone can move anywhere. I've made deep connections with people around the world since I tour everywhere that I will simply never see again.
First of all, [St. Stephen's] is a radical church. It was one of the first DC churches to have gay ceremonies. A woman said mass there, which almost got a priest excommunicated there; Black Panthers spoke at the church; it was a sanctuary for civil rights protesters and anti-war protesters.
I remember when Martin Luther King was assassinated and riots broke out in the city. We celebrated Palm Sunday on 14th Street. I have a memory of walking down the street with buildings smoldering, and soldiers and cops everywhere. Anyways, it was a church that really taught me the things I needed to learn to not go to church. But I think it is a church that does great work, I went to a wedding there three days ago.
I'm basically in every band I ever was in, and the songs, I still mean them all. I don't take anything back, so I do look after them to some degree. But my main focus is on what I'm doing now.
I never, ever had it in my mind that I wanted to be in the record industry, because I still contend that the record industry is an insidious affair. It's this terrible collision between art and commerce, and it will always be that way.
Columbia Heights was a poor, messed up area, and the church was in the middle of it. What happened inside was a reflection of the community. I actually saw my first rock concert on the altar of that church [St. Stephen's].
It's just hard to have a nuanced discussion with like a thousand people, 30 of which are white-power skinheads.
I was into Ted Nugent, I was a Nugent guy. I was a skateboarder listening to Ted Nugent.
I think what we took away from first hearing about the punk stuff in England and then the early American punk stuff was a sense of self-definition and also sort of playing music for music's sake and being part of a family for family's sake.
I do remember seeing Godspell or Jesus Christ Superstar, one of those. It was a liberation theology venue. Anything radical seemed to be accepted there. I definitely picked up the idea there that you should question authority.
The first time I ever recorded, which was into my boom-box, I was like, 'Wow, check that out.' It sounded great. The narcotic of it was so intense - it was pleasurable. I was like, 'You sound like a band.' Then I ended up spending the rest of my life trying to chase that initial high again.