Herbert Read
Herbert Read
Sir Herbert Edward Read, DSO, MCwas an English art historian, poet, literary critic and philospher, best known for numerous books on art, which included influential volumes on the role of art in education. Read was co-founder of the Institute of Contemporary Arts. He was one of the earliest English writers to take notice of existentialism...
NationalityEnglish
ProfessionPoet
military artist civilization
The worth of a civilization or a culture is not valued in the terms of its material wealth or military power, but by the quality and achievements of its representative individuals - its philosophers, its poets and its artists.
art doe modern
It does not seem that the contradiction which exists between the aristocratic function of art and the democratic structure of modern society can ever be resolved.
destiny artist modern
The modern artist, by nature and destiny, is always an individualist.
art real men
In a sense, every tool is a machine--the hammer, the ax, and the chisel. And every machine is a tool. The real distinction is between one man using a tool with his hands and producing an object that shows at every stage the direction of his will and the impression of his personality; and a machine which is producing, without the intervention of a particular man, objects of a uniformity and precision that show no individual variation and have no personal charm. The problem is to decide whether the objects of machine production can possess the essential qualities of art.
wise art moving
Art is always the index of social vitality, the moving finger that records the destiny of a civilization. A wise statesman should keep an anxious eye on this graph, for it is more significant than a decline in exports or a fall in the value of a nation's currency.
art hands worry
An entertainment is something which distracts us or diverts us from the routine of daily life. It makes us for the time being forget our cares and worries; it interrupts our conscious thoughts and habits, rests our nerves and minds, though it may incidentally exhaust our bodies. Art, on the other hand, though it may divert us from the normal routine of our existence, causes us in some way or other to become conscious of that existence.
art imagination erotic
An enormous amount of art and literature is erotic in the sense that it stimulates vague sexual emotions, but it has no pornographic intention or effect because "it leaves everything to the imagination." The consumer has to invent his own images, and it is felt, I do not know with what justification, that there is no harm in this.
artist purpose fundamentals
The fundamental purpose of the artist is the same as that of a scientist: to state a fact.
art social-values giving
Art is not and never has been subordinate to moral values. Moral values are social values; aesthetic values are human values. Morality seeks to restrain the feelings; art seeks to define them by externalizing them, by giving them significant form. Morality has only one aim - the ideal good; art has quite another aim - the objective truth... art never changes.
art depth strange
The depths modern art has been exploring are mysterious depths, full of strange fish...
art two feelings
Intellect begins with the observation of nature, proceeds to memorize and classify the facts thus observed, and by logical deduction builds up that edifice of knowledge properly called science… But admittedly we also know by feeling, and we can combine the two faculties, and present knowledge in the guise of art.
art desire inspired
In general, modern art... has been inspired by a natural desire to chart the uncharted.
artist discovery desire
If we persist in our restless desire to know everything about the universe and ourselves, then we must not be afraid of what the artist brings back from his voyage of discovery.
art contemplation persist
Works of art must persist as objects of contemplation.