Herbert Read
Herbert Read
Sir Herbert Edward Read, DSO, MCwas an English art historian, poet, literary critic and philospher, best known for numerous books on art, which included influential volumes on the role of art in education. Read was co-founder of the Institute of Contemporary Arts. He was one of the earliest English writers to take notice of existentialism...
NationalityEnglish
ProfessionPoet
art hands worry
An entertainment is something which distracts us or diverts us from the routine of daily life. It makes us for the time being forget our cares and worries; it interrupts our conscious thoughts and habits, rests our nerves and minds, though it may incidentally exhaust our bodies. Art, on the other hand, though it may divert us from the normal routine of our existence, causes us in some way or other to become conscious of that existence.
two luxury space
The peculiarity of sculpture is that it creates a three-dimensional object in space. Painting may strive to give on a two-dimensional plane, the illusion of space, but it is space itself as a perceived quantity that becomes the peculiar concern of the sculptor. We may say that for the painter space is a luxury; for the sculptor it is a necessity.
thinking imagination mind
Fantasy is a product of thought, Imagination of sensibility. If the thinking, discursive mind turns to speculation, the result isFantasy; if, however, the sensitive, intuitive mind turns to speculation, the result is Imagination. Fantasy may be visionary, but it is cold and logical. Imagination is sensuous and instinctive. Both have form, but the form of Fantasy is analogous to Exposition, that of Imagination to Narrative.
mean cutting practice
This is the essential distinction--even opposition--between the painting and the film: the painting is composed subjectively, thefilm objectively. However highly we rate the function of the scenario writer--in actual practice it is rated very low--we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.
art imagination erotic
An enormous amount of art and literature is erotic in the sense that it stimulates vague sexual emotions, but it has no pornographic intention or effect because "it leaves everything to the imagination." The consumer has to invent his own images, and it is felt, I do not know with what justification, that there is no harm in this.
memories men feelings
Sentir mon Cœur is a privilege only granted to the exceptional man the one who has the ability to find words that exactly (or, to himself, convincingly) express his feelings. ... The value of words help to define the feeling itself. ... The common failure is to allow habitual words and phrases, flowing spontaneously from the memory, to determine and deform the feelings.
artist purpose fundamentals
The fundamental purpose of the artist is the same as that of a scientist: to state a fact.
art social-values giving
Art is not and never has been subordinate to moral values. Moral values are social values; aesthetic values are human values. Morality seeks to restrain the feelings; art seeks to define them by externalizing them, by giving them significant form. Morality has only one aim - the ideal good; art has quite another aim - the objective truth... art never changes.
art depth strange
The depths modern art has been exploring are mysterious depths, full of strange fish...
art two feelings
Intellect begins with the observation of nature, proceeds to memorize and classify the facts thus observed, and by logical deduction builds up that edifice of knowledge properly called science… But admittedly we also know by feeling, and we can combine the two faculties, and present knowledge in the guise of art.
order ideas mind
Sensibility... is a direct and particular reaction to the separate and individual nature of things. It begins and ends with the sensuous apprehension of colour, texture and formal relations; and if we strive to organize these elements, it is not with the idea of increasing the knowledge of the mind, but rather in order to intensify the pleasure of the senses.
art desire inspired
In general, modern art... has been inspired by a natural desire to chart the uncharted.
artist discovery desire
If we persist in our restless desire to know everything about the universe and ourselves, then we must not be afraid of what the artist brings back from his voyage of discovery.
art contemplation persist
Works of art must persist as objects of contemplation.