Henry Louis Gates

Henry Louis Gates
Henry Louis "Skip" Gates Jr.is an American literary critic, teacher, historian, filmmaker and public intellectual who currently serves as the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. He has discovered what are considered the first books by African-American writers, both of them women, and has published extensively on appreciating African-American literature as part of the Western canon...
NationalityAmerican
ProfessionCritic
Date of Birth16 September 1950
CountryUnited States of America
America is the greatest nation ever founded. The ideals are the greatest ever espoused in human history, and we just need the country to live up to them. But what I worry about are the 1 million black men in the prison system.
Keeping the Union together, freeing slaves and being assassinated all added up to creating 'Lincoln the myth.' He overcame a lot of his own prejudices and became what many would consider the first black man's president.
The only people who live in a post-black world are four people who live in a little white house on Pennsylvania Avenue. The idea that America is post-racial or post-black because a man I admire, Barack Obama, is president of the United States, is a joke. And I hope no one will even wonder about this crazy fiction again.
What people forget is that the most radical thing about Obama is that he was the first black man in history to imagine that he could become president, who was able to make other Americans believe it as well. Other than that, he is a centrist, just like I try to be. He's been bridging divisions his whole life.
Arnold Rampersad's stunningly revealing biography has, at long last, unveiled-in magisterial prose-the very complex and vulnerable man behind Ralph Ellison's own masks and myths. One of the nation's most brilliant writers emerges as all the more fascinating precisely because he was so very human. Painstakingly researched and compellingly written, Ralph Ellison is a masterwork of the genre of literary biography.
My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.
My father was the funniest man I ever met. He made Redd Foxx look like an undertaker.
We have to stop making excuses. One of the things that I'm careful to show is the horrendous effects of institutional and structural racism, but in the end, you can't wait for white man or a Black man to come riding in on a white horse to save you. We have to save ourselves, and that's the lesson of "The African Americans."
The African American's relationship to Africa has long been ambivalent, at least since the early nineteenth century, when 3,000 black men crowded into Bishop Richard Allen's African Methodist Episcopal Church in Philadelphia to protest noisily a plan to recolonize free blacks in Africa.
No one thinks of Mexico and Peru as black. But Mexico and Peru together got 700,000 Africans in the slave trade. The coast of Acapulco was a black city in the 1870s. And the Veracruz Coast on the gulf of Mexico and the Costa Chica, south of Acapulco are traditional black lands.
I think that the implication of King's assassination has not been fully appreciated.
There's a boom in genealogy now. With ancestry.com and other sites digitizing so many of the records, you can now find things in a few minutes that used to take months.
Remember, I have a Ph.D. in English literature.
But you see, our society is still trapped in this binary, black/white logic and that has had some very positive implications for our generation. It's had some very negative ones as well and one of the negative ones is that it creates enormous identity problems for people who have one black ancestor and all white ancestors for example.