Harvey Pekar
Harvey Pekar
Harvey Lawrence Pekarwas an American underground comic book writer, music critic, and media personality, best known for his autobiographical American Splendor comic series. In 2003, the series inspired a well-received film adaptation of the same name...
NationalityAmerican
ProfessionComic Book Artist
Date of Birth8 October 1939
CountryUnited States of America
art everybody great jazz poet time writer
I'm from the beatnik generation, where everybody wanted to be a poet or writer or something. And at that time, I was a jazz critic, and I was always thinking, theorizing about what makes great art or what's important in art.
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I was influenced by autobiographical writers like Henry Miller, and I had actually done some autobiographical prose. But I just thought that comics were like virgin territory. There was so much to be done. It excited me. I couldn't draw very well. I could write scripts and storyboard style using stick figures and balloons and captions.
freelance life lucky rest stuff unless whether work writer
I have to be a freelance writer for the rest of my life, unless I get some kind of real lucky break. But other than that, I'll always have to work. I always worry about whether my stuff is going to get over. Will they like this, will they like that?
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I'm just tired of people saying I'm a self-hating Jew because I'm critical of Israel or make fun of old Jewish ladies. I do not hate myself. And Jews who criticize Israel aren't necessarily mentally ill.
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I was 16 years old, and I was just flailing around, looking for an interest. I heard, you know, these jazz records. They were modern records, at the time in the '50s, and I realized that I didn't fully get what was going on. But I liked a lot of what I heard.
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I want to keep doing as much work as I can, and I want to keep the level high. I'm wondering if something is going to happen to me to screw it up.
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I'm kind of concerned about 'Ego & Hubris' because I'm thinking that people will read it and maybe even be entertained by it, but at the end of it, you know, they'll wonder, 'Why did this guy write this? What was the point of it?'
major stuff
I've just been writing stuff down as it comes to me. I haven't thought, 'Let me write some major opus here.'
comics gotten regular
I've gotten more and more cut off from the regular comic-book world, from straight comics and stuff like that. Once in a while, I'll take a look at something.
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Israel's creation was politically amazing and caused by a number of unusual events. And I understand. For centuries, Jews endured horrible suffering, and like other people, deserve the right to self-determination, but the way Israel is going now frightens me. Jews make awkward colonial overlords.
downhill revival
Things improved a little bit in the '80s; there was kind of a revival of alternative comics, but then they went downhill in the '90s.
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The way I write is, I listen to things in my head, and then I copy them down. I memorize conversations and things like that; I seem to be able to do that pretty well. I suppose in that respect there's some improvisation, although I work over the stuff after I've got it down on paper.
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A respectable-sized audience hasn't really been able to follow developments in jazz since the free jazz movement in the '60s. Some of them can't even get with John Coltrane. Audiences are diminishing more and more rapidly. Some of the top young musicians with something new to say can't get record companies to put out their stuff.
people portray written
Sometimes I want to convey something complex philosophically, and sometimes I just want to portray myself in a situation that I think other people have been in many times, but it hasn't been written about much.