Harvey Pekar
Harvey Pekar
Harvey Lawrence Pekarwas an American underground comic book writer, music critic, and media personality, best known for his autobiographical American Splendor comic series. In 2003, the series inspired a well-received film adaptation of the same name...
NationalityAmerican
ProfessionComic Book Artist
Date of Birth8 October 1939
CountryUnited States of America
art everybody great jazz poet time writer
I'm from the beatnik generation, where everybody wanted to be a poet or writer or something. And at that time, I was a jazz critic, and I was always thinking, theorizing about what makes great art or what's important in art.
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I kept on buying records and listening to them. Finally, I was able to hear the relationship between the jazz improvisers' solos and the underlying structure that it's based on, the chord progression. That was pretty easy to do in the swing era, y'know, when jazz was, like, pop music, you know. It had made the charts and everything like that.
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I always wanted praise, and I always wanted attention; I won't lie to you. I was a jazz critic, and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, 'What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.'
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I was 16 years old, and I was just flailing around, looking for an interest. I heard, you know, these jazz records. They were modern records, at the time in the '50s, and I realized that I didn't fully get what was going on. But I liked a lot of what I heard.
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Since about 1980 Kenny Werner has been one of jazz’s unsung heroes
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Israel's creation was politically amazing and caused by a number of unusual events. And I understand. For centuries, Jews endured horrible suffering, and like other people, deserve the right to self-determination, but the way Israel is going now frightens me. Jews make awkward colonial overlords.
downhill revival
Things improved a little bit in the '80s; there was kind of a revival of alternative comics, but then they went downhill in the '90s.
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The way I write is, I listen to things in my head, and then I copy them down. I memorize conversations and things like that; I seem to be able to do that pretty well. I suppose in that respect there's some improvisation, although I work over the stuff after I've got it down on paper.
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Sometimes I want to convey something complex philosophically, and sometimes I just want to portray myself in a situation that I think other people have been in many times, but it hasn't been written about much.
motions people work
I worry about getting work, and then when I get it, I worry about doing it well. I don't want to just go through the motions and give people stuff. This stuff is really important to me.
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It dawned on me that comics were not an intrinsically limited medium. There was a tremendous amount of things you could do in comics that you couldn't do in other art forms - but no one was doing it. I figured if I'd make a try at it, I'd at least be a footnote in history.
establish far liked people work
It didn't take long to establish myself, as far as people thinking my work was good. They liked it from the start.
credited people
People writing about me have said that I've influenced a lot of people, and there are some artists who have credited me with influencing them.
Letterman... he got his problems. We don't get along too well.