Harvey Pekar

Harvey Pekar
Harvey Lawrence Pekarwas an American underground comic book writer, music critic, and media personality, best known for his autobiographical American Splendor comic series. In 2003, the series inspired a well-received film adaptation of the same name...
NationalityAmerican
ProfessionComic Book Artist
Date of Birth8 October 1939
CountryUnited States of America
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It dawned on me that comics were not an intrinsically limited medium. There was a tremendous amount of things you could do in comics that you couldn't do in other art forms - but no one was doing it. I figured if I'd make a try at it, I'd at least be a footnote in history.
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I'm trying to get every man involved in art, into experimental music, or painting, or novel-writing.
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I'm from the beatnik generation, where everybody wanted to be a poet or writer or something. And at that time, I was a jazz critic, and I was always thinking, theorizing about what makes great art or what's important in art.
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I'd like to see the comics' style expanded. I'd like to see artists synthesize traditional comics arts style with fine-arts styles or whatever. I like to see innovation. I don't like it when an art form becomes stagnant.
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Cleveland has a very bad reputation, but there's a lot of stuff that's left over from when there were very wealthy people - the Art Museum and a world class symphony that's still world class.
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I met Robert Crumb in 1962; he lived in Cleveland for a while. I took a look at his stuff. Crumb was doing stuff beyond what other writers and artists were doing. It was a step beyond Mad.
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I think you can do anything with comics that you could do in just about any art form.
fashion writing artist
I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist
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I concentrate, more than I think virtually any comic book artist has in the past, on the so-called mundane details of every day life - quotidian life. What happens to a person during a working day, marital relations, and stuff like that.
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Israel's creation was politically amazing and caused by a number of unusual events. And I understand. For centuries, Jews endured horrible suffering, and like other people, deserve the right to self-determination, but the way Israel is going now frightens me. Jews make awkward colonial overlords.
downhill revival
Things improved a little bit in the '80s; there was kind of a revival of alternative comics, but then they went downhill in the '90s.
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The way I write is, I listen to things in my head, and then I copy them down. I memorize conversations and things like that; I seem to be able to do that pretty well. I suppose in that respect there's some improvisation, although I work over the stuff after I've got it down on paper.
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Sometimes I want to convey something complex philosophically, and sometimes I just want to portray myself in a situation that I think other people have been in many times, but it hasn't been written about much.
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I worry about getting work, and then when I get it, I worry about doing it well. I don't want to just go through the motions and give people stuff. This stuff is really important to me.