Harry Treadaway
Harry Treadaway
Harry John Newman Treadawayis an English actor...
NationalityEnglish
ProfessionMovie Actor
Date of Birth10 September 1984
real perfect scripts
The strength of the script, for me, was that you're really left, right till the end, to know what's happening. This seemingly perfect, happy, kooky real relationship slowly turns into something horrifying, but you get there through a filter of reality with all of it.
call home house might moments parts work
I'll always have a house in London; I'll always call it my home. There might be moments when I get to go and work in different parts of the world, but I'll always come back here.
dealing pains
'The Night Watch' is a beautiful story about the pains of dealing with what you are.
studios suddenly toilets
I was used to getting changed in pub toilets before going on set. Then suddenly I had studios in L.A. advising me on my hair.
children life
You know the way that children play make-believe in the garden? I did that and I thought, 'This will do for life. Why would I want to do anything else?'
'Ghosts' is the most incredible play I've read for years.
country dad design love
I may live in London, but I'll go back to the country one day. My dad's an architect, so I would like him to design me a house. I'd love to be in the countryside when I'm older.
stories examination brilliant
The story revolved around this universal identifiable fear that we must all have, at some point, when you commit yourself to being with another person, to have and to hold until death do us part. It's a huge thing. I just felt like it was a brilliant examination of what would happen, if the person that you trusted implicitly and thought you knew every follicle and pour of, inside and out, started to not be that person anymore, inside. Physically, they're still there, but they're not there mentally.
creative together variables
The different variables involved in anything creative, really, are massive. When it comes together, it just clicks, I suppose.
coffee believe gun
Weirdly, some of the middle stuff of the descent into something going wrong were the hardest, tonally. You don't want to jump the gun and be instantly paranoid about the fact that she has made coffee wrong because that would be weird. It's the slow build and letting it sink in. If they say everything is okay, you believe your partner. You don't want to rattle the boat too much on your honeymoon.
thinking people lucky
I hope I'm always lucky enough to be able to work in theater, TV, and big films and small films. I think there's advantages and disadvantages to all of them. The fact that this was a small film without much money and without much time made it rich in energy and momentum and drive when we were actually making it 'cause that's all you've got. You've just got the story and the people.
real writing skills
It's a real testament to the amount of skill and talent involved, across the board, whether it's the production design, the construction, the costume design, the other actors, the way it's shot, the directors we had on it, or obviously John's writing. When things do go well, it sometimes seems easy, in a weird way, but it's actually down to a lot of cogs working in a big machine. But, I'm certainly happy to be going back. I'm excited to carry on.
heartfelt looks actors
I look for something that grabs me and that's heartfelt, and that's coming from a good place. I want to work with good actors and with directors that I can learn from.
book years people
You just want to find a story that grabs you and that you've never seen before, but somehow you can't imagine it not existing. It's like a good book. What makes a good book is hard to say. I don't know. I just look for something that grabs me. I don't have a way of looking for a project, and I don't know many people that do. It's just year to year, and what's going around and what's there.