Harrison Ford
Harrison Ford
Harrison Fordis an American actor and film producer. He gained worldwide fame for his starring roles as Han Solo in the original Star Wars epic space opera trilogy and the title character of the Indiana Jones film series. Ford is also known for his roles as Rick Deckard in the neo-noir dystopian science fiction film Blade Runner, John Book in the thriller Witness, and Jack Ryan in the action films Patriot Gamesand Clear and Present Danger. Most recently, Ford reprised...
NationalityAmerican
ProfessionMovie Actor
Date of Birth13 July 1942
CityChicago, IL
CountryUnited States of America
thinking ideas branches
I had the idea that the film would be much better served by a Branch Rickey look-a-like than a Harrison Ford look-a-like. I didn't want the audience to go into the film thinking that they knew me from some previous experience in the movies.
jobs character eye
The capacity to create [visual] effects in the computer has made the job easier, but it has also introduced the complexity that you can with a few more keystrokes generate such a busy canvas that the eye doesn't know where to go. You lose human scale on an event and you're just wowed by the kinetics and the visualization. But, often in those cases I feel you lose touch with the human characters and what it is that they would feel and how they might feel, and that's still the most important part.
mean icons doe
An icon means nothing to me. I don't understand what it means to anybody actually. It seems like a word of convenience. It seems to attend to the huge success of certain kinds of movies that I did, but there's no personal utility in being an icon. I don't know what an icon does, except stand in a corner quietly accepting everyone's attention. I like to work, so there's no utility in being an icon.
character opportunity fiction
Because the character is a fiction, he's a composite of other contributors to the science that brought this enzyme therapy through the process. We had the opportunity to make him up out of those things that helped tell the story. We wanted to create both ally and antagonist for John [in the Extraordinary measures].
thinking people important
What I think is important for a young person is to figure out how to be useful and not be so concentrated on themselves, but to see what they can do to make the overall collaboration with all the other people involved in a movie work better.
play fans balls
I didn't play much ball. I wasn't much of a ball fan.
opportunity giving trying
I try to preserve a certain amount of time away from the movies, so I don't allow time to do those smaller parts that might give me an opportunity to do more seemingly 'artful' things. Although, having said that, I don't feel any lack of noble purpose if I do a film that's commercial.
special proximity feels
I've never been bothered by proximity to special effects and I've never felt disadvantaged by them. They're all part of a movie, and when the movie's under control I don't feel upstaged by them.
baseball believe color
I believe that the racial injustice which existed such a short time ago probably would have persisted longer if the color barrier had not been broken in baseball.
stars war maturity
I was 35 when I first hit with Star Wars. I had some degree of maturity and some degree of experience, yet physically I still looked young. That had been an impediment early on in my career, but then it turned out to be an advantage.
trying stuff rich
I have an attorney. I'm looking to be rich like Harrison [Ford]. I'm trying to have planes and do all that stuff.
character cutting cowboy
American Graffiti was the first movie where the director let me have any input. It was the first time anyone ever listened to me. George thought my character should have a crew cut, but I wasn't happy with that idea. I'd always had pretty long hair back then - in college, particularly - so I told George my character should wear a cowboy hat. George thought about it and he remembered a bunch of guys from Modesto, California, who cruised around, like my character, and wore cowboy hats, so it turned out that it actually fit the movie.
strong blade-runner unhappy
I was desperately unhappy with it [Blade Runner]. I was compelled by contract to record five or six different versions of the narration, each of which was found wanting on a storytelling basis. The final version was something that I was completely unhappy with. The movie obviously has a very strong following, but it could have been more than a cult picture.
wall play guy
A bad guy in a movie has a lot of latitude for acting. He can walk up the wall, crawl across the ceiling, go piss in the corner and everybody will say, "Fantastic!" But somebody's going to have to catch that sucker. Somebody's going to have to play the guy who gets him in the end. And that's a better part.