Harold Ramis
Harold Ramis
Harold Allen Ramiswas an American actor, director, writer, and comedian. His best-known film acting roles were as Egon Spengler in Ghostbustersand Ghostbusters IIand Russell Ziskey in Stripes; he also co-wrote those films. As a writer-director, his films include the comedies Caddyshack, National Lampoon's Vacation, Groundhog Day, and Analyze This. Ramis was the original head writer of the television series SCTV, on which he also performed, and he was one of three screenwriters of the film National Lampoon's Animal House...
NationalityAmerican
ProfessionDirector
Date of Birth21 November 1944
CityChicago, IL
CountryUnited States of America
I've never been a big believer in ghosts or the spirit world, and for me, that was part of the point of the movie, ... What the 'Ghostbusters' represented was the triumph of human courage and human ingenuity. People create their own monsters. Our fears come from within us, not outside.
Stripes' was my first on-camera appearance and people already knew me somewhat from that, but nothing like 'Ghostbusters.' Fashion models were interested in me,
Life has all of these contradictory feelings and contradictory results. People spend their whole lives struggling to get what they think they want, and even if they get it, they find that it's either not what they wanted, or it comes with so many unwanted consequences. We're always shut off from pure joy.
I'm a writer-director-actor, which I've always kind of enjoyed. I compared it to the Olympic biathlon. "Not only can he cross-country ski, but he's a terrific marksman as well." I want people to say, "You mean that writer performed a tracheotomy?" That's right, I do everything.
A lot of people get into serious relationships thinking they're going to heal someone with their love and attention, but it doesn't usually work out that way. You can't love somebody into a state of mental health.
The trick with sequels is, you have to give people what they liked before, yet be innovative enough so they don't feel like they're seeing the same movie.
As an actor, you're completely at the mercy of other people. You basically go begging for the opportunity to work. As a writer, at least nobody can tell me what to do. I can write what I want. I might not sell it, but at least I'm in control.
Films are big hits when they touch a lot of people. Things are not funny in a vacuum, they're funny because we respond to some personal dislocation, some embarrassment, some humiliation, some pain we've suffered, or some desire we have.
Most people live somewhere on the spectrum of anxiety and depression.
When I've written for Bill Murray - I've written six films for him - people would read it and say, "Oh, that's so perfectly Bill." He'd read it and say, "Are you kidding? I can't say these words." So it's all about perception.
Some people have a fear of rejecting all the security that comes with family, church and state. They become fundamentalists.
Chicago still remains a Mecca of the Midwest - people from both coasts are kind of amazed how good life is in Chicago, and what a good culture we've got. You can have a pretty wonderful artistic life and never leave Chicago.
That's one of the great things about DVD: In addition to reaching people who didn't catch the movie in theaters, you get to have this interaction of sorts.
I learned over the years that it's easy to appear smart referencing things that people don't know.