Gustave Flaubert

Gustave Flaubert
Gustave Flaubertwas an influential French novelist who was perhaps the leading exponent of literary realism in his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a protégé of Flaubert...
NationalityFrench
ProfessionNovelist
Date of Birth12 December 1821
CityRouen, France
CountryFrance
Books are made not like children but like pyramids and they're just as useless! And they stay in the desert! Jackals piss at their foot and the bourgeois climb up on them.
Judge the goodness of a book by the energy of the punches it has given you. . . I believe the greatest characteristic of genius, is, above all, force.
Books aren't made in the way that babies are: they are made like pyramids. There's some long-pondered plan, and then great blocks of stone are placed one on top of the other, and it's back-breaking, sweaty, time consuming work. And all to no purpose! It just stands there in the desert! But it towers over it prodigiously. Jackals piss at the base of it, and bourgeois clamber to the top of it, etc. Continue this comparison.
Melancholy is a sensual pleasure that is deliberately provoked. How many people shut themselves away to make themselves sadder, or to weep beside a stream, or choose a sentimental book! We are constantly building and unbuilding ourselves.
Writing this book I am like a man playing the piano with lead balls attached to his knuckles.
Sentences must stir in a book like leaves in a forest, each distinct from each despite their resemblance.
Me and my books in the same apartment, like a gherkin in its vinegar.
And indeed, what is better than to sit by one's fireside in the evening with a book, while the wind beats against the window and the lamp is buring?
The citadel of Machaerus rose east of the Dead Sea on a basalt Peak shaped like a cone, girdled by four deep valleys; two about its sides, one in front, and the fourth behind.
Madame Aubain's servant Felicite was the envy of the ladies of Pont-l'Eveque for half a century.
What I would like to write is a book about nothing, a book without exterior attachments, which would be held together by the innerforce of its style, as the earth without support is held in the air--a book that would have almost no subject or at least in which the subject would be almost invisible.
Before her marriage she had thought that she had love within her grasp; but since the happiness which she had expected this love to bring her hadn’t come, she supposed she must have been mistaken. And Emma tried to imagine just what was meant, in life, by the words “bliss,” “passion,” and “rapture” - words that had seemed so beautiful to her in books.
What seems beautiful to me, what I should like to write, is a book about nothing, a book dependent on nothing external, which would be held together by the strength of its style, just as the earth, suspended in the void, depends on nothing external for its support.
She was the amoureuse of all the novels, the heroine of all the plays, the vague “she” of all the poetry books.