George Carlin

George Carlin
George Denis Patrick Carlinwas an American stand-up comedian, actor, social critic and author. Carlin was noted for his black comedy and his thoughts on politics, the English language, psychology, religion, and various taboo subjects. Carlin and his "Seven dirty words" comedy routine were central to the 1978 U.S. Supreme Court case F.C.C. v. Pacifica Foundation, in which a 5–4 decision affirmed the government's power to regulate indecent material on the public airwaves...
NationalityAmerican
ProfessionComedian
Date of Birth12 May 1937
CityNew York City, NY
CountryUnited States of America
Language is the most elementary aspect to our humanness, probably. In addition to that, it's the embodiment, it's the apotheosis of the human experience, it's the way we summarize ourselves.
As much as I love my family, I enjoy it when the house is empty, because then I know I'm truly alone, as we all are on the planet, after all. Every atom in us is originally from a star. And during my moments of aloneness, I'm most mindful of that; that I'm just another group of matter randomly but wonderfully arranged. That's when I feel my immortality.
I've been a performer for a long time and I know when people are laughing from their guts, from the inside, and when their tuxedos are laughing.
Someone said, and rightfully, that "property is theft'." There's no way a man can stand and tell me that he owns an apple tree. I just don't believe you. And so this pursuit of position and money and power, they are all wrapped up into one package that I think is crippling, debilitating and limiting. And unfortunately, people get sucked into it and then they've got you on the treadmill. You know: ''You've got to have a good job'' and "You've got to have a good education'' - which is another word for indoctrination. We're never going to rise above these limitations we've placed on ourselves.
Comedy, although it is not one of the fine arts - it's a vulgar art, it's one of the people's arts, it's the spoken word, the writing that goes into it is an art form - it's certainly artistry.
I just love it when I hear a little commotion, someone leaving. When I see those doors in the back . . .
I think you can talk about anything if the context is correctly arranged. If you set up the context and you bring the audience along carefully enough with you, you can get them to cross the line with you. What I try to do is talk about things that bother me, and I hope that in doing so I bother other people.
I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.
People have material needs, but you don't need a deodorant for every different day of the week. You don't need four hundred varieties of mustard. This is what I call too many choices. There are too many choices in America.
I have things that are strident and confrontational, and I have a lot of things that are childlike and innocent and sort of sweet. So, somewhere in between lies the middle of me.
The writing is what gives me the joy, especially editing myself for the page, and getting something ready to show to the editors, and then to have a first draft and get it back and work to fix it, I love reworking, I love editing, love love love revision, revision, revision, revision.
I like to write without being stoned. I like to have a hit or two and then go punch up the writing. I just see different things and hear different things. But it's nice to be working from the base that I wrote originally and then come to it with a little buzz. I can have a little wine from time to time. I have a hit from time to time, but those are the only things I do.
I quit school in ninth grade, even though I was good at the studies. I knew I didn't need school for what I wanted.
My mother and I had a lot of distance between us emotionally, although, on the surface, most of the time, we appeared good and friendly, and all that. But I was a problem. I was a street kid.