George Bernard Shaw

George Bernard Shaw
George Bernard Shaw, known at his insistence simply as Bernard Shaw, was an Irish playwright, critic and polemicist whose influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman, Pygmalionand Saint Joan. With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature...
NationalityIrish
ProfessionPlaywright
Date of Birth26 July 1856
CityDublin, Ireland
CountryIreland
The writer who aims at producing the platitudes which are "not for an age, but for all time" has his reward in being unreadable inall ages.... The man who writes about himself and his own time is the only sort of man who writes about all people and about all time.
I claim to be a conscientiously immoral writer.
The more reasonable a student was in mathematics, the more unreasonable she was in the affairs of real life, concerning which fewtrustworthy postulates have yet been ascertained.
I sing, not arms and the hero, but the philosophic man: he who seeks in contemplation to discover the inner will of the world, ininvention to discover the means of fulfilling that will, and in action to do that will by the so-discovered means.
The buried truth germinates and breaks through to the light.
The popular definition of tragedy is heavy drama in which everyone is killed in the last act, comedy being light drama in which everyone is married in the last act.
Faith in reason as a prime motor is no longer the criterion of the sound mind, any more than faith in the Bible is the criterion of righteous intention.
Always strive to find out what to do by thinking, without asking anybody. If you continually do this, you will soon act like a grown-up woman. For want of doing this, a very great number of grown-up people act like children.
Social questions are too sectional, too topical, too temporal to move a man to the mighty effort which is needed to produce greatpoetry. Prison reform may nerve Charles Reade to produce an effective and businesslike prose melodrama; but it could never produce Hamlet, Faust, or Peer Gynt.
That is what all poets do: they talk to themselves out loud; and the world overhears them. But it's horribly lonely not to hear someone else talk sometimes.
I do not want actors and actresses to understand my plays. That is not necessary. If they will only pronounce the correct sounds I can guarantee the results.
Compassion is the fellow-feeling of the unsound.
Think what cowards men would be if they had to bear children. Women are altogether a superior species.
Financiers live in a world of illusion. They count on something which they call the capital of the country, which has no existence.