Gary Snyder

Gary Snyder
Gary Snyderis an American man of letters. Perhaps best known as a poet, he is also an essayist, lecturer, and environmental activist. He has been described as the "poet laureate of Deep Ecology". Snyder is a winner of a Pulitzer Prize for Poetry and the American Book Award. His work, in his various roles, reflects an immersion in both Buddhist spirituality and nature. Snyder has translated literature into English from ancient Chinese and modern Japanese. For many years, Snyder served...
NationalityAmerican
ProfessionPoet
Date of Birth8 May 1930
CountryUnited States of America
Burning the small dead branches broke from beneath thick spreading whitebark pine. A hundred summers snowmelt rock and air hiss in a twisted bough.
All that we did was human, stupid, easily forgiven, Not quite right.
Ko Un's poems evoke the open creativity and fluidity of nature, and funny turns and twists of Mind. Mind is sometimes registered in Buddhist terms - Buddhist practice being part of Ko Un's background. Ko Un writes spare, short-line lyrics direct to the point, but often intricate in both wit and meaning. Ko Un has now traveled worldwide and is not only a major spokesman for all Korean culture, but a voice for Planet Earth Watershed as well.
Place and the scale of space must be measured against our bodies and their capabilities.
True affluence is to not need anything.
Today we are aware as never before of the plurality of human life-styles and possibilities, while at the same time being tied, like in an old silent movie, to a runaway locomotive rushing headlong toward a very singular catastrophe
Streams and mountains never stay the same.
Zen aims at freedom but its practice is disciplined.
All those years and their moments— Crackling bacon, slamming car doors, Poems tried out on friends, Will be one more archive, One more shaky text.
But if you do know what is taught by plants and weather, you are in on the gossip and can feel truly at home. The sum of a field's forces [become] what we call very loosely the 'spirit of the place.' To know the spirit of a place is to realize that you are a part of a part and that the whole is made or parts, each of which in a whole. You start with the part you are whole in.
As a poet I hold the most archaic values on earth . . . the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.
stay together learn the flowers go light
I never did know exactly what was meant by the term "The Beats," but let's say that the original meeting, association, comradeship of Allen Ginsberg, myself, Michael McClure, Lawrence Ferlinghetti, Philip Whalen, who's not here, Lew Welch, who's dead, Gregory Corso, for me, to a somewhat lesser extent (I never knew Gregory as well as the others) did embody a criticism and a vision which we shared in various ways, and then went our own ways for many years.
Wildness is not just the "preservation of the world," it is the world