Garry Marshall
Garry Marshall
Garry Kent Masciarelli, better known as Garry Marshall, was an American actor, director, producer, writer, voice artist, and comedian. He is known for creating Happy Days and its various spin-offs, developing Neil Simon's 1965 play The Odd Couple for television, and directing Pretty Woman, Runaway Bride, Valentine's Day, New Year's Eve, Mother's Day, The Princess Diaries, and The Princess Diaries 2: Royal Engagement...
NationalityAmerican
ProfessionDirector
Date of Birth13 November 1934
CityBronx, NY
CountryUnited States of America
I was never ambitious. I just wanted to have quiet, calm, listen to public radio and say, hello, how are you? Sit down, rest. But I had an early partner named Fred Freeman, a wonderful writer who I met at Northwestern. And I thought we were doing very well with "Jack Paar," and he said, no, we got to go to Hollywood. We got to write sitcom. It's the coming thing.
For Joey Bishop, always was kind of the lost soul, so I did a traffic joke.
I always remember writing a page of jokes for a comedian and handing it to him backstage at a club and he read it and then took his cigarette lighter and lit the page on.
I wasn't really that good at being a musician. And then I tried being a standup. I was an actor. I was a photographer. I tried everything. Nothing was particularly working for me, but then, as a musician, I wrote jokes for comics. And they started to buy my jokes, and that's where I thought maybe that might work
I had never done a Director's Cut narration on Beaches so I did in time for the release of the DVD. It was a great visit and I do a whole-behind-the-scenes thing and I tell stories about Bette [Mudler] and Barbara Hershey and everybody and that was fun. It made me cry again.
I was crying when I was editing [Beacher] but I stopped all the screenings years ago because I had a headache but then I had seen it again... Well I always cry at the same place, when they play that song "Wind Beneath My Wings". It gets you.
I think I learned a lot on Beaches. A guy I worked with Dante Spinotti is a wonderful cinematographer and it was his first picture and he went on to be nominated for an Academy Award for "LA Confidential" which was great.
I'm too old to be forced.
I don't know about immortal, but I must say that to me to touch more women and to have them understand friendships is important. I've had girls come up to me who said, "Yeah, after I saw 'Beaches' I called up my friend Denise who I was really mad at. She got me so aggravated and I called her and we made up." So if I could do that with this new release, yes, that would be very pleasing to me because, hey, it's a tough world. You need friends out there.
Time moves on but Barbara Hershey's doing good and John Heard, they're all people working. I know there were a couple of kids in that movie who I used who have been in other movies since Beaches.
I directed fourteen movies. Every movie had Hector Elizondo. He didn't like Beaches. I don't know, it was originally not a happy movie at all, it was much sadder than that. And they brought me in to kind of make it a little more 'warm', I guess you might call it. The original ending was a whole messy thing.
In the middle of Beaches there's a scene from the "Laverne & Shirley" TV show so they see some history of my work in each film.
My mother worked all of her life, she was a dance teacher and I also noticed, to be honest, that most of the male directors wanted to blow things up so there was like an open area for somebody who wanted to direct women movies, chick flicks, whatever you... I don't call them chick flicks.
We can't compete with Mel Gibson, but we figured we could do our part.