Gabriel Garcia Marquez
Gabriel Garcia Marquez
Gabriel José de la Concordia García Márquez; 6 March 1927 – 17 April 2014) was a Colombian novelist, short-story writer, screenwriter and journalist, known affectionately as Gabo or Gabito throughout Latin America. Considered one of the most significant authors of the 20th century and one of the best in the Spanish language, he was awarded the 1972 Neustadt International Prize for Literature and the 1982 Nobel Prize in Literature. He pursued a self-directed education that resulted in his leaving law...
NationalityColombian
ProfessionNovelist
Date of Birth6 March 1927
CountryColombia
In the end all books are written for your friends. The problem after writing One Hundred Years of Solitude was that now I no longer know whom of the millions of readers I am writing for; this upsets and inhibits me. It's like a million eyes are looking at you and you don't really know what they think.
People spend a lifetime thinking abouthow they would really like to live. I asked my friends and no one seems to know very clearly. To me, it's very clear now. I wish my life could have been like the years when I was writing 'Love in the Time of Cholera.'
A famous writer who wants to continue writing has to be constantly defending himself against fame.
All my life, I've been frightened at the moment I sit down to write.
Unfortunately many young writers are more concerned with fame than with their own work... It's much more important to write than to be written about.
The more transparent the writing, the more visible the poetry.
Then the writing became so fluid that I sometimes felt as if I were writing for the sheer pleasure of telling a story, which may be the human condition that most resembles levitation.
Faulkner is a writer who has had much to do with my soul, but Hemingway is the one who had the most to do with my craft - not simply for his books, but for his astounding knowledge of the aspect of craftsmanship in the science of writing.
I think that the idea that I'm writing for many more people than I ever imagined has created a certain general responsibility that is literary and political. There's even pride involved, in not wanting to fall short of what I did before.
When I sit down to write, which is the essential moment in my life, I am completely alone. Whenever I write a book, I accumulate a lot of documentation. That background material is the most intimate part of my private life. It's a little embarrassing - like being seen in your underwear It's like the way magicians never tell others how they make a dove come out of a hat.
It's much more important to write than to be written about.
As a writer I'm merely a journalist who has learned to write better than others.
I have never done anything except write, but I don't possess the vocation or talents of a narrator, have no knowledge at all of the laws of dramatic composition, and if I have embarked upon this enterprise it is because I trust in the light shed by how much I have read in my life.
The house became full of love. Aureliano expressed it in poetry that had no beginning and no end. He would write it on the harsh pieces of parchment that Melquiades gave him, on the bathroom walls, on the skin of his arms, and in all of it Remedios would appear transfigured: Remedios in the soporific air of two in the afternoon, Remedios in the soft breath of the roses, Remedios in the water-clock secrets of the moths, Remedios in the steaming morning bread, Remedios everywhere and Remedios forever.