Gabriel Garcia Marquez
Gabriel Garcia Marquez
Gabriel José de la Concordia García Márquez; 6 March 1927 – 17 April 2014) was a Colombian novelist, short-story writer, screenwriter and journalist, known affectionately as Gabo or Gabito throughout Latin America. Considered one of the most significant authors of the 20th century and one of the best in the Spanish language, he was awarded the 1972 Neustadt International Prize for Literature and the 1982 Nobel Prize in Literature. He pursued a self-directed education that resulted in his leaving law...
NationalityColombian
ProfessionNovelist
Date of Birth6 March 1927
CountryColombia
The problem with marriage is that it ends every night after making love, and it must be rebuilt every morning before breakfast.
A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.
One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed. I was so surprised. The first line reads, “As Gregor Samsa awoke that morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. . . .” When I read the line I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago. So I immediately started writing short stories.
The house became full of love. Aureliano expressed it in poetry that had no beginning and no end. He would write it on the harsh pieces of parchment that Melquiades gave him, on the bathroom walls, on the skin of his arms, and in all of it Remedios would appear transfigured: Remedios in the soporific air of two in the afternoon, Remedios in the soft breath of the roses, Remedios in the water-clock secrets of the moths, Remedios in the steaming morning bread, Remedios everywhere and Remedios forever.
a process of aging had taken place in him that was so rapid and critical that soon he was being treated as one of those useless great-grandfathers who wander about the bedroom like shades, dragging their feet, remembering better times aloud, and whom no one bother about or remembers really until the morning they find them dead in their bed.
A person doesn't die when he should but when he can.
Fatality makes us invisible.
Thinking that it would console him, she took a piece of charcoal and erased the innumerable loves that he still owed her for, and she voluntarily brought up her own most solitary sadnesses so as not to leave him alone in his weeping.
In her final years she would still recall the trip that, with the perverse lucidity of nostalgia, became more and more recent in her memory.
It is impossible to explain. But what I like most is to eat.
I don't have a method. All I do is read a lot, think a lot, and rewrite constantly. It's not a scientific thing.
Ah, me, if this is love, then how it torments.
One had to live a long time to know a man's true nature.
One could be happy not only without love, but despite it.