Frank Lloyd Wright
Frank Lloyd Wright
Frank Lloyd Wrightwas an American architect, interior designer, writer, and educator, who designed more than 1,000 structures, 532 of which were completed. Wright believed in designing structures that were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by Fallingwater, which has been called "the best all-time work of American architecture". Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his...
NationalityAmerican
ProfessionArchitect
Date of Birth8 June 1867
CityRichland Center, WI
CountryUnited States of America
The two most important tools an architect has are the eraser in the drawing room and the sledge hammer on the construction site.
I think Ms. Monroe's architecture is extremely good architecture.
All I learned from Eliel Saarinen was how to make out an expense account
Television is bubble-gum for the mind
The best friend of earth of man is the tree.
We should have a system of economics that is structure that is organic tools. We do not have it. We are all hanging by our eyebrows from skyhooks economically, just as we are architecturally.
We do not learn so much by our successes as we learn by failures - our own and others! Especially if we see the failures properly corrected.
They turned the country up on its side, and everything loose fell into California.
Take nothing for granted as beautiful or ugly.
A box is more a coffin for the human spirit than an inspiration.
Self fulfilling prophecies do exist in real life
We've been fighting from the beginning for organic architecture. That is, architecture where the whole is to the part as the part is to the whole, and where the nature of materials, the nature of the purpose, the nature of the entire performance becomes a necessity-architecture of democracy.
Science can give us only the tools in the box, these mechanical miracles that it has already given us. But of what use to us are miraculous tools until we have mastered the humane, cultural use of them? We do not want to live in a world where the machine has mastered the man; we want to live in a world where man has mastered the machine.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.