Francesca Lia Block

Francesca Lia Block
Francesca Lia Blockis an American writer of adult and young-adult literature: fiction, short stories, screenplays and poetry. She is known best for the Weetzie Bat series — named after its first installment and her first novel, which she wrote while a UC Berkeley student, Weetzie Bat. She is known for her use of imagery, especially in describing the city of Los Angeles. One New York Times Book Review critic said, "Block writes about the real Los Angeles better than anyone...
NationalityAmerican
ProfessionAuthor
Date of Birth3 December 1962
CountryUnited States of America
This was not a fearie tale. This was not the movies. This was life. It hurt more. It was excruciating. It was excruciatingly beautiful.
Pianos, unlike people, sing when you give them your every growl. They know how to dive into the pit of your stomach and harmonize with your roars when you’ve split yourself open. And when they see you, guts shining, brain pulsing, heart right there exposed in a rhythm that beats need need, need need, need need, pianos do not run. And so she plays.
Ugster vinyl pumps, Partridge Family records, plastic daisy jewelry, old postcards. . . . It's a magpie Christmas market.
Any love that is love is right.
I will be thin and pure like a glass cup. Empty. Pure as light. Music. I move my hands over my body - my shoulders, my collarbone, my rib cage, my hip bones like part of an animal skull, my small thighs. In the mirror my face is pale and my eyes look bruised. My hair is pale and thin and the light comes through. I could be a lot younger than seventeen. I could be a child still, untouched.
Morning. Strawberry sky dusted with white winter powder sugar sun. And nobody to munch on it with
Witch Baby wanted to ask Ping how to find her Jah-Love angel. She knew Raphael was not him, even though Raphael had the right eyes and smile and name. She knew how he looked--the angel in her dream--but she didn't know how to find him. Should she roller-skate through the streets in the evenings when the streetlights flicker on? Should she stow away to Jamaica on a cruise ship and search for him in the rain forests and along the beaches? Would he come to her? Was he waiting, dreaming of her in the same way she waited and dreamed?
You must reach inside yourselves where I live like a story, not old, not young laughing at my own sorrow, weeping pearls at weddings, wielding a torch to melt sand into something clear and bright.
But be careful; sand is already broken but glass breaks. The shoes are for dancing, not running away.
I saw my own blood and I thought, how could I live in a world where this exists- where love can become death?
It was like when we were little kids and we played games on the ivy-covered hillside in the backyard. We were warriors and wizards and angels and high elves and that was our reality. If someone said, Isn’t it cute, look at them playing, we would have smiled back, humoring them, but it wasn’t playing. It was transformation. It was our own world. Our own rules.
The most Beautiful people are the ones that don't look like one race or even one sex.
I am constantly thinking ahead to what I want to write about in the future, and when I'm done with one project, I give myself a little time and then start the next one.
I love Sylvia Plath and Anne Sexton. I also love more cerebral poets like H.D. and Emily Dickinson. My parents subscribed to a monthly poetry periodical, and as a teenager I was introduced to Denise Levertov, who was an influence.