Ezra Pound

Ezra Pound
Ezra Weston Loomis Poundwas an expatriate American poet and critic, and a major figure in the early modernist movement. His contribution to poetry began with his development of Imagism, a movement derived from classical Chinese and Japanese poetry, stressing clarity, precision and economy of language. His best-known works include Ripostes, Hugh Selwyn Mauberleyand the unfinished 120-section epic, The Cantos...
NationalityAmerican
ProfessionPoet
Date of Birth30 October 1885
CityHailey, ID
CountryUnited States of America
I think an alliance with Stalin's Russia is rotten.
It doesn't matter which leg of your table you make first, so long as the table has four legs and will stand up solidly when you have finished it.
Use no word that under stress of emotion you could not actually say.
The difference between a gun and a tree is a difference of tempo. The tree explodes every spring.
Mass ought to be in Latin, unless you could do it in Greek or Chinese. In fact, any abracadabra that no bloody member of the public or half-educated ape of a clargimint could think he understood.
The sum of human wisdom is not contained in any one language, and no single language is capable of expressing all forms and degrees of human comprehension.
The phase of the usury system which we are trying to analyze is more or less Patterson's perception that the Bank of England could have benefit of all the interest on all the money that it creates out of nothing. ... Now the American citizen can, of course, appeal to his constitution, which states that Congress shall have power to coin money or regulate the value thereof and of foreign coin. Such appeal is perhaps quixotic.
Poets who are not interested in music are, or become, bad poets.
People find ideas a bore because they do not distinguish between live ones and stuffed ones on a shelf.
where the dead walked and the living were made of cardboard.
And the good writer chooses his words for their 'meaning', but that meaning is not a a set, cut-off thing like the move of knight or pawn on a chess-board. It comes up with roots, with associations, with how and where the word is familiarly used, or where it has been used brilliantly or memorably.
If a man isn't willing to take some risk for his opinions, either his opinions are no good or he's no good
Fit for kings, formal gardens afford an earthly Elysium and the odd impression that we mere men might actually control nature for a time.
One discards rhyme, not because one is incapable of rhyming neat, fleet, sweet, meet, treat, eat, feet but because there are certain emotions or energies which are nor represented by the over-familiar devices or patterns.