Erin O'Connor

Erin O'Connor
Erin O'Connoris an English model...
NationalityEnglish
ProfessionModel
Date of Birth9 February 1978
becomes form people plays realising ways
Fashion is intoxicating, and it plays a part in all of our everyday lives. A lot of people use it as a form of escape, of realising a fantasy, and in some ways that becomes an unobtainable norm.
conforming fearful individuality people potent
Conformism is a potent statement, and as much as we do talk about individuality in fashion, there's a sense that people are fearful of not conforming and not being part of action.
age catching chosen decade fear grown half last models people slowly spent surely tender trying
I think most models fear growing old, but from a tender age I had always chosen to play someone grown up. I am slowly but surely catching up with the people that I have spent the last decade and a half trying to portray.
cross hear last people
It makes me cross when I hear people say, 'It's so last season.' I always say, 'It's vintage.'
against alert allowing change fact fair human model nor people positive practice reminding sanctuary
The Model Sanctuary is not about self-indulgence - it's about reminding and allowing them to become self-sufficient human beings. I wanted to alert people to the fact that we're not the victims, but nor are we the villains. We want fair practice and positive, sustainable change, working with the fashion industry, not against it.
among betrayed body complete early growing inherited learned miss neat people school shy title tool translated
At school I was very shy and coincidentally inherited the title 'little miss worry guts,' and that was just among the staff. I learned early on that I could make people laugh, and as my small neat body betrayed me by growing to dizzying heights, I used it as a tool that translated into complete slap-stick comedy.
agenda bringing conscience ethical origins panic people reason resistance talk tendency
I think there is some resistance when people talk about ethical fashion, and a tendency to panic that if you're bringing a moral agenda and highlighting the origins of the garments, you can't incorporate style. But there's no reason why style and conscience can't co-exist.
corset disappoint full people time
I seem to disappoint people a bit. They want the full regalia - but I don't walk around in a corset the whole time.
fairly people
In my career, which has been fairly two-dimensional, people make decisions based on your persona.
bring creations duty gained high life model pull reputation responsibility time worn
I've worn a lot of humdingers in my time, but as a model it's my duty - my responsibility - to bring life to any garment. That can be challenging when it comes to high fashion, where the creations can be very eccentric, but I've gained a reputation for being the go-to girl who can pull it off.
I see myself as the female John Cleese.
advantage early ethic great hard knew understood work
I understood early on that I was not the best-looking girl in the room. But I knew my advantage was a hard work ethic and I was ambitious: I knew I could be a great model.
cycling fair good great happy learn love nose red weather
Cycling is a great way to learn about your city. I love being outdoors, especially in good weather, but I'm not a fair weather cyclist. I'm happy to get a red nose in the cold.
built carry conviction image stride
I think most of my career has been built on conviction and the personality to carry that image or stride confidently on the catwalk. That was my beginning and, hopefully, my legacy.