Erin Morgenstern
Erin Morgenstern
Erin Morgensternis an American multimedia artist and the author of a successful fantasy novel, The Night Circus. It was published in more than a dozen languages by 2013 and won the annual Locus Award for Best First Novel...
NationalityAmerican
ProfessionWriter
Date of Birth8 July 1978
CountryUnited States of America
liberty lied share
I have never lied, “ Mr. Barris counters, standing as well. “I do not share what I am not at liberty to say. I gave my word and I intend to keep it but I have never lied to you. You never even asked me, you assumed I knew nothing.
seems
To be rather than to seem.
cinnamon delicious asks
Have you tried the cinnamon things?" Poppet asks. "They're rather new. What are they called, Widge?" "Fantastically delicious cinnamon things?
tales familiarity truest
The truest tales require time and familiarity to become what they are.
life dream strange
We lead strange lives, chasing our dreams around from place to place.
character artist breathing-space
There is a movement happening, a quiet one. A low-profile, low-resolution revolution. Comprised of writers and dreamers, of guerrilla artists and thought-ninjas. Those with something to say. They communicate through text inscribed on true public spaces, rather than blogs and forums. Choosing fewer words, even without being bound by 140 character limits. Using ink instead of pixels. Sending messages in living, breathing space. Pens scream louder into the void. Even if permanent ink is not aptly named.
moving blow squares
You can say anything with a Post-It. I’m not entirely sure why that is. Maybe the friendliness of the squares makes it easier. A square is nicely compact and less intimidating than a full page. And they come in cheerful colors. Non-white paper is kind of inherently festive. Or maybe paper that sticks feels more important than paper that can blow away. (Though you can move them, if you need to put them somewhere else.) They might not be as lasting as words carved in stone, but Post-It thoughts will stay. For awhile, at least.
crush letting-go butterfly
I worry hope will crush me, the way love has so many times before. Are they so different, hope and love? O & E in the same place, half of the other in each word. Both swimming in unknowns. I’ve been through the big changes. These ones should seem easier in comparison, I should be more prepared, but they don’t and I’m not. Sometimes I feel like a broken-wing butterfly, clinging to a window screen. Afraid to let go. Afraid to stay. Wondering how much wing is enough to fly.
girl running pain
You send me all these roses. Every time I think the last bouquet has arrived, finally, another turns up. I’m running out of vases. I didn’t know roses came in so many colors. You say they’re the perfect symbols of love because they have thorns and love is pain. I say life is pain, highness. Anyone who says differently is selling something. And you don’t get it. You say you love me, but you don’t speak my language. You don’t even realize I’m an orchid girl.
stupid heart wings
Sting told me if I love somebody I should set them free. I doubt Sting ever loved anyone with wings. If he did he might rethink such a stupid sentiment. I suppose the point is to wait for your love to come back to you voluntarily. I wonder if there’s a difference between setting something free and letting it go? I probably did it wrong. I should stop taking advice from my radio. I worry that you’re lost. I keep a heart-shaped cage unlocked for you, out on the street where it can easily be seen. So if one day you return at least you’ll have a place to stay.
mean darkness paradise
I mean only that I hope they find darkness or paradise without fear of it, if they can.
real thinking way
You look like a ghost," Bailey says. He can think of no better way to describe it. "You appear the same way to me, so which of us is real?
dream thinking circus
You think, as you walk away from Le Cirque des Rêves and into the creeping dawn, that you felt more awake within the confines of the circus. You are no longer quite certain which side of the fence is the dream.
mother father moving
Celia, wait,” Marco says, standing but not moving closer to her. “You are breaking my heart. You told me once that I reminded you of your father. That you never wanted to suffer the way your mother did for him, but you are doing exactly that to me. You keep leaving me. You leave me longing for you again and again when I would give anything for you to stay, and it is killing me.” “It has to kill one of us,” Celia says quietly.