Emily Carr
Emily Carr
Emily Carrwas a Canadian artist and writer heavily inspired by the Indigenous peoples of the Pacific Northwest Coast. One of the first painters in Canada to adopt a Modernist and Post-Impressionist painting style, Carr did not receive widespread recognition for her work until late in her life. As she matured, the subject matter of her painting shifted from aboriginal themes to landscapes—forest scenes in particular. As a writer, Carr was one of the earliest chroniclers of life in British Columbia...
NationalityCanadian
ProfessionPainter
Date of Birth13 December 1871
CityVictoria, Canada
CountryCanada
I have been sent more ridiculous press notices. People are frequently comparing my work with Van Gogh... I do hope I do not get bloated and self-satisfied. When proud feelings come I step up over them to the realm of work, to the thing I want, the liveness of the thing itself.
The sun enriched the old poles grandly... The mothers expressed all womanhood - the big wooden hands holding the child were so full of tenderness they had to be distorted enormously in order to contain it all. Womanhood was strong in Kitwancool.
I thought my mountain was coming this morning. It was near to speaking when suddenly it shifted, sulked, and returned to smallness. It has eluded me again and sits there, puny and dull. Why?
Cedars are terribly sensitive to change of time and light - sometimes they are bluish cold-green, then they turn yellow warm-green - sometimes their boughs flop heavy and sometimes float, then they are fairy as ferns and then they droop, heavy as heartaches.
You always feel when you look it straight in the eye that you could have put more into it, could have let yourself go and dug harder.
The men resent a woman getting any honour in what they consider is essentially their field. Men painters mostly despise women painters. So I have decided to stop squirming, to throw any honour in with Canada and women.
What a splendid time Woo must have had.
Writing is a strong easement for perplexity. My life is a map, spread out with all the rivers and hills showing.
Oh I do want that thing, that oneness of movement that will catch the thing up into one movement and sing - harmony of life.
Rentals sank, living rose. I could not afford help. I must be owner, agent, landlady and janitor. I loathed landladying... I tried in every way to augment my income. Small fruit, hens, rabbits, dogs - pottery... I never painted now - had neither time nor wanting. For about fifteen years I did not paint.
How badly I want that nameless thing! First there must be an idea, a feeling... Maybe it was an abstract idea that you've got to find a symbol for, or maybe it was a concrete form that you have to simplify or distort to meet your ends, but that starting point must pervade the whole.
My mountain is dead. As soon as she has dried, I'll bury her under a decent layer of white paint. But I haven't done with the old lady; far from it!
Oh, I wonder if I will ever feel the burst of birth-joy, that knowing that the indescribable, joyous thing that has wooed and wond me has passed through my life and produced one atom of the great reality.
It's all the unwordable things one wants to write about, just as it's all the unformable things one wants to paint - essence.