Elizabeth Bowen
Elizabeth Bowen
Elizabeth Bowen, CBEwas an Anglo-Irish novelist and short story writer...
NationalityIrish
ProfessionNovelist
Date of Birth7 June 1899
CountryIreland
character passion history
As a novelist, I cannot occupy myself with "characters," or at any rate central ones, who lack panache, in one or another sense, who would be incapable of a major action or a major passion, or who have not a touch of the ambiguity, the ultimate unaccountability, the enlarging mistiness of persons "in history." History, as more austerely I now know it, is not romantic. But I am.
truth mean reality
What is a novel? I say: an invented story. At the same time a story which, though invented has the power to ring true. True to what? True to life as the reader knows life to be or, it may be, feels life to be. And I mean the adult, the grown-up reader. Such a reader has outgrown fairy tales, and we do not want the fantastic and the impossible. So I say to you that a novel must stand up to the adult tests of reality.
truth years two
... a novel survives because of its basic truthfulness, its having within it something general and universal, and a quality of imaginative perception which applies just as much now as it did in the fifty or hundred or two hundred years since the novel came to life.
reading two people
A novel which survives, which withstands and outlives time, does do something more than merely survive. It does not stand still. It accumulates round itself the understanding of all these persons who bring to it something of their own. It acquires associations, it becomes a form of experience in itself, so that two people who meet can often make friends, find an approach to each other, because of this one great common experience they have had ...
people house solitude
Solitary and farouche people don't have relationships; they are quite unrelatable. If you and I were capable of being altogether house-trained and made jolly, we should be nicer people, but not writers.
trying levels should
[A writer] should try not to be too far, personally, below the level of his work.
irrelevance criticism attention
The most striking fault in work by young or beginning novelists, submitted for criticism, is irrelevance--due either to infatuation or indecision. To direct such an author's attention to the imperative of relevance is certainly the most useful--and possibly the only--help that can be given.
mean doe novelists
The novelist's--any writer's--object is to whittle down his meaning to the exactest and finest possible point. What, of course, isfatal is when he does not know what he does mean: he has no point to sharpen.
art home theatre
Art is for [the Irish] inseparable from artifice: of that, the theatre is the home. Possibly, it was England made me a novelist.
character plot should
Characters should on the whole, be under rather than over articulate. What they intend to say should be more evident, more striking (because of its greater inner importance to the plot) than what they arrive at saying.
real real-life novel
In 'real life' everything is diluted; in the novel everything is condensed.
writing intelligent thinking
I am fully intelligent only when I write. I have a certain amount of small-change intelligence, which I carry round with me as, at any rate in a town, one has to carry small money, for the needs of the day, the non-writing day. But it seems to me I seldom purely think ... if I thought more I might write less.
states subjects susceptibility
writers do not find subjects: subjects find them. There is not so much a search as a state of open susceptibility.
stories short-story experiments
every short story is an experiment - what one must ask is not only, did it come off, but was it, as an experiment, worth making?