Eleanor Catton
Eleanor Catton
Eleanor Catton MNZMis a Canadian-born New Zealand author. Her second novel, The Luminaries, won the 2013 Man Booker Prize. In January 2015, she created a short-lived media storm in New Zealand when she made comments in an interview in India in which she was critical of "neo-liberal, profit-obsessed, very shallow, very money-hungry politicians who do not care about culture."...
NationalityNew Zealander
ProfessionAuthor
Date of Birth24 September 1985
australian british life mum reading spent split time work
My mum was a children's librarian, so I spent a lot of time in the library. My reading life, because of my mum's work, was evenly split between American, Canadian, Australian and British authors.
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As an artist, you need to be not at all entitled in your relation with the work. So money is kind of worrying. You can start to expect things if you're used to a certain level of comfort.
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We throw at female artists this expectation that their work has to speak to the female experience. And if it doesn't, you're letting the side down. Throwing this stumbling block in the way of female artists is counterintuitive.
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I think that, in principle, a workshop is such a beautiful idea - an environment in which writers who are collectively apprenticed to the craft of writing can come together in order to collectively improve.
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I went to a state school in Christchurch, New Zealand, and then straight on to the University of Canterbury. But I worked part-time all the way through high school: first with a paper round, then at a fast-food outlet, a video store and a hardware store.
actively art connect literature looking people power reading reject work
I don't feel like literature has the power to alienate. I think that's something people feel if they don't connect with a work of art. But I don't think a work of art can actively reject the person who's looking at it or reading it.
historical women written
Long historical books get written by women, but not contemporary experiments, which still seems to be a very male-dominated field.
guided margaret took towards
Margaret Atwood was the author who took me out of children's literature and guided me towards adult literature.
front love people
I think that you have to keep the reader front and centre if you're going to write something that people are going to love and be entertained by.
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It is less fun to talk about what I am feeling rather than what I am thinking. Saying 'I feel awesome' isn't really interesting or enquiring.
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My parents took me to the Bronte parsonage in England when I was a teenager. I had a fight with my mum, burst into tears, jumped over a stile and ran out into the moors. It felt very authentic: A moor really is an excellent place to have a temper tantrum.
favourite time
I loved 'Middlemarch,' I think that's one of my favourite books of all time, actually.
I much prefer a plotted novel to a novel that is really conceptual.
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I've had countless reviews sort that have made me cry. It's funny, it doesn't ever get better either; you can't turn your ears off.